Are Madlib

At the beginning of 2010, Medicine Show No. 1: Before the Verdict kicked off what was planned to be a monthly 12-volume series from the underground hip-hop producer. Volumes were themed, with reggae, Brazilian pop, jazz, marijuana dispensaries, and rapper Guilty Simpson all figuring into the mix. With only a few delays, the series wrapped up in 2012, with a "secret" No. 13 also seeing release that same year. The Brick collects it all with simple shrink-wrap and no bonuses to speak of, and while the revered Madlib draws the kinds of fans who would have pre-booked every release ahead of time, latecomers get an easy pickup and instant karma overflow when it comes to coolness. Dive in or keep out, but if you like edgy, dense hip-hop productions that billow out of the speakers like the best Indo smoke you've ever exhaled, best to dive in.

The UK’s cosmic, psychedelic-funk ensemble issue their second album on maverick producer Madlib’s label, Madlib Invazion.

The UK's cosmic, psychedelic-funk ensemble issue their first album on maverick producer Madlib's label, Madlib Invazion.
The Heliocentrics’ albums are all confounding pieces of work. Drawing equally from the funk universe of James Brown, the disorienting asymmetry of Sun Ra, the cinematic scope of Ennio Morricone, the sublime fusion of David Axelrod, Pierre Henry's turned-on musique concrète, and Can's beat-heavy Krautrock, they have - regardless of the label on which they've released their music - pointed the way towards a brand new kind of psychedelia, one that could only come from a band of accomplished musicians who were also obsessive music fans…

The soaring spirit of Blue Note Records – served up here with a really special twist to fit the mode of the Free Soul series! The package is overflowing with goodness – four hours' worth of listening, with a special focus on two periods of the label – that great late 60s/early 70s stretch when they were trying out so many new ideas and rhythms, including elements borrowed from soul, Latin, fusion, and Brazilian modes – and the more recent stretch that has seen Blue Note re-emerge as one of the most forward-thinking labels in jazz!

The Heliocentrics are a group for which genres are meaningless and boundaries invisible. Since first appearing on DJ Shadow’s 2006 album The Outsider the group have gone on to release a string of records that float through jazz, hip-hop, psych, krautrock, and musique concrete whilst collaborating with numerous genre heavyweights from Mulatu Astake to Gaslamp Killer and picking up prestigious fans along the way, such as Madlib and the recently departed David Axelrod.