Are You Mad at Me?

Playing the role of R&B love god has always come naturally to Luther Vandross. On his Virgin debut, he eases into his groove once again. Whether he's dealing in the easy, gospel-inflected pop of album opener "Keeping My Faith in You" or the jazzy hooks of the title track (with Stevie Wonder guesting on harmonica), Vandross is in command. While the faux hip-hop of "Get It Right" (with rap by Precise) seems a bit forced, the disc is strong overall. R&B doesn't get any glossier.

Aptly titled, 'The Great Vocalists Of Jazz & Entertainment', culls 748 of the absolute finest recordings by top singers of the pre-rock era of the '30s, '40s & '50s. All recordings are digitally remastered and over 20 top names are featured, including Billie Holiday, Frank Sinatra, Judy Garland, Bing Crosby, Ella Fitzgerald, Nat King Cole, Louis Armstrong, Sarah Vaughan, Lena Horne and Perry Como. Each artist has at least one disc devoted to solely to their repertoire; most have two (Billie & Frank deservedly have three apiece). Hou sed in a sealed, full color 5' x 6' x 8' box, it contains 20 double slimline jewelcases.

Although Basie's years with RCA Victor are usually regarded as his weakest, there is still plenty of good music to hear from these years. "Sweets" Edison and Emmett Berry still sparked the trumpet section and tenor saxophonist Buddy Tate and singer Jimmy Rushing were still on board. Perhaps the most interesting feature from these years, though, was the addition of an unknown tenorman who had only recently replaced Illinois Jacquet, a guy named Paul Gonsalves. While there are a few throwaway novelties in this set, there are also some fine performances, both by the band itself and by a small "band within the band".

30 years after the release of their debut album, ERASURE (Andy Bell and Vince Clarke) celebrate their incredible career and friendship with a 13 disc anthology box set charting their award-winning songwriting partnership. Mute / BMG are delighted to announce From Moscow To Mars – An Erasure Anthology. Curated by Vince and Andy it is a sumptuous box of memories of Erasure’s intergalactic journey through the pop and glitter and love that has defined their story so far.

30 years after the release of their debut album, ERASURE (Andy Bell and Vince Clarke) celebrate their incredible career and friendship with a 13 disc anthology box set charting their award-winning songwriting partnership. Mute / BMG are delighted to announce From Moscow To Mars – An Erasure Anthology. Curated by Vince and Andy it is a sumptuous box of memories of Erasure’s intergalactic journey through the pop and glitter and love that has defined their story so far. The BRIT and Ivor Novello winning pop duo have released a staggering number of albums, including 5 UK Number 1’s and 17 top 10 singles (35 singles charted in the UK Top 40) and their recent best of, Always, saw the band entering the Top 10 album charts once again. From Moscow To Mars is a 13-disc box set that includes all of the band’s 50 singles, a CD from both Vince and Andy compiling their favourite tracks, CDs of remixes (from Martyn Ware, William Orbit, Little Boots, Youth, Shep Pettibone, Chris & Cosey, to name but a few), b-sides, live material and rarities PLUS a radio documentary about the band and the Wild! concert, available on DVD for the first time.

Buck Owens - Buck 'Em! - Volume 2: The Music Of Buck Owens (1967-1975) (2015) {2CD Omnivore Recordings OVCD-135}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 859 Mb | MP3 @320 -> 304 Mb
Full Artwork @ 300 dpi (png) -> 78 Mb | 5% repair rar
© 1967-75, 2015 Omnivore Recordings | OVCD-135
Country / Bakersfield Sound / Honky Tonk / Traditional Country

Two years after the first installment comes Buck 'Em!: The Music of Buck Owens, Vol. 2, a double-disc set chronicling the eight years when Buck Owens was a crossover superstar thanks to his prominent role as a co-host of Hee Haw. Buck started to slide into a rut toward the end of this run – a process accelerated by the tragic death of his right-hand man Don Rich in 1974, a loss from which Owens never fully recovered – but producer Patrick Milligan slyly disguises this trend by nestling deep cuts, live tracks, and outtakes among the best of his hits, thereby painting a portrait of Buck Owens as a musician nearly as adventurous as he was during the purple patch of the '50s and early '60s.