Argent Counterpoints (1975)

After the Zombies broke up, keyboardist/songwriter Rod Argent formed his own band in 1969, which incorporated more classical, jazz, and art rock influences in accordance with Argent's musical training. The group's other members were guitarist/songwriter Russ Ballard, bassist Jim Rodford, and drummer Bob Henrit…

The 40th Anniversary edition of Jethro Tull’s Minstrel In The Gallery. Original album plus seven bonus tracks (six previously unreleased) and all to stereo by Steven Wilson. The album has been expanded to include the b-side Summerday Sands, several studio outtakes, and alternate session material recorded for a BBC broadcast. The second disc features a live recording of Jethro Tull performing at the Olympia in Paris on July 5, 1975, a few months prior to the release of Minstrel In The Gallery. During the show, the band played songs from several of its albums, including War Child and Aqualung, as well as an early performance of Minstrel In The Gallery.
Minstrel in the Gallery was Tull's most artistically successful and elaborately produced album since Thick as a Brick and harked back to that album with the inclusion of a 17-minute extended piece ("Baker Street Muse")…

French violinist Franck Pourcel is best-known for his jazzy string arrangements of pop hits, as well as his lush easy listening arrangements and film scores. Initially, Pourcel studied classical violin at the Paris Conservatoire, but he found the allure of jazz irresistible. In particular, he was an idol of Stephane Grappelli. Following his studies, he joined a number of jazz combos, which led him to his role as the leader of the French Fiddlers, whom he joined in the late '40s. The French Fiddlers were a group of violinists that performed jazzy versions of classical numbers or classical arrangements of pop and jazz tunes. They signed to Pathe-Marconi and continued to refine their sound so they could reach a broader audience. The group earned their first hit in 1952 with a version of "Blue Tango"…

ABBA's self-titled third album was the one that really broke the group on a worldwide basis. The Eurovision Song Contest winner "Waterloo" had been a major international hit and "Honey, Honey" a more modest one, but ABBA was still an exotic novelty to most of those outside Scandinavia until the release of ABBA in the spring of 1975. "I Do, I Do, I Do, I Do, I Do," a schmaltzy tribute to the sound of '50s orchestra leader Billy Vaughn, seemed an unlikely first single, and indeed it barely scraped into the Top 40 in the U.K. But in Australia, it topped the charts, causing the Australian record company to pull its own second single, "Mamma Mia," off the album. This far more appealing pop/rock number followed its predecessor into the pole position Down Under and also topped the charts throughout Europe…

ABBA's self-titled third album was the one that really broke the group on a worldwide basis. The Eurovision Song Contest winner "Waterloo" had been a major international hit and "Honey, Honey" a more modest one, but ABBA was still an exotic novelty to most of those outside Scandinavia until the release of ABBA in the spring of 1975. "I Do, I Do, I Do, I Do, I Do," a schmaltzy tribute to the sound of '50s orchestra leader Billy Vaughn, seemed an unlikely first single, and indeed it barely scraped into the Top 40 in the U.K. But in Australia, it topped the charts, causing the Australian record company to pull its own second single, "Mamma Mia," off the album. This far more appealing pop/rock number followed its predecessor into the pole position Down Under and also topped the charts throughout Europe…

Argent's back catalog remains in a parlous state 20 years on from the group's peak, with great swathes of the repertoire unavailable on CD, and even some of the band's best-known and loved recordings are still chained up in a vault somewhere. Thankfully, this two-fer rendering of their first two albums is an exception to that sorry rule, as the group's transformation from the logical successors to the Zombies into one of the finest prog bands of the early '70s is traced out across 19 songs, almost any of which would be a shoo-in for some future "best-of" Argent compilation. It is true, of course, that Argent was prone to excess on occasion – what is remarkable is just how naturally the band approached that state, as songs build on their own momentum toward peaks that even the best oiled of the group's peers audibly struggled to approach.

Objet de désir ou de répulsion, l'argent est omniprésent et révèle un certain type de comportement, de représentation et d'attitude. Explique les mécanismes psychologiques qui engendrent l'ensemble des comportements déviants face à l'argent, que ce soit l'avarice, la dépendance, les dépenses compulsives ou le surrendettement. …