Art Germany From September 2016

One of the seminal documents of the progressive rock era, a record that made its way into the collections of millions of high-school kids who never heard of Modest Mussorgsky and knew nothing of Russia's Nationalist "Five." It does some violence to Mussorgsky, but Pictures at an Exhibition is also the most energetic and well-realized live release in Emerson, Lake & Palmer's catalog, and it makes a fairly compelling case for adapting classical pieces in this way. At the time, it introduced "classical rock" to millions of listeners, including the classical community, most of whose members regarded this record as something akin to an armed assault. The early-'70s live sound is a little crude by today's standards, but the tightness of the playing (Carl Palmer is especially good) makes up for any sonic inadequacies. Keith Emerson is the dominant musical personality here, but Greg Lake and Palmer get the spotlight enough to prevent it from being a pure keyboard showcase.

Classic late period Bowie television broadcasts. David Bowie's output from the late 1980's and 1990's has been reassessed in all the right quarters since the great man's tragic passing in 2016, and has rightfully now been awarded plaudits often denied the releases and concerts from this era at the time they took place. This triple disc set goes some way to contributing to this effort by bringing together broadcast recordings form 1990 and 1992. The first of these was recorded at Bowie's gig in Buenos Aires in August of 90, while the second is from Tin Machine's legendary tour of Japan in the early part of 92, with the show presented here being the group's performance at the Nippon Budokan in Tokyo on 17th February. The set is completed with a disc of television appearances recorded between 1975 and 1995, which features some of Bowie's best ever live TV spots.

Their ninth studio album shows Poor Genetic Material, considered by many as Germany's best art- and progrock band, at the peak of their creative powers. Absence - the experience and feeling of lacking something. People or ways of life that we have got used to, that gave us comfort and security, that have left their mark on us and shaped our character. Yet, many of them have turned to hardly more than faint memories. That may be so simply because we have changed. Or because whatever or whoever these feelings were attached to is now - for various reasons - beyond our reach. This experience is the central topic of Poor Genetic Material’s ninth studio album.

AKP special exclusive "Breaking Free Tour" compilation CD! Karfagen & Sunchild is the projects of the composer, multi-instrumentalist Anton Kalugin. Since 2006, he released 15 albums in English label Caerllysi Music. Musicians actively and successfully represents Ukraine on the world progressive rock scene. Behind performances of the team in the famous international rock festivals, numerous reviews, reviews of the major recognized Internet portals. France, Netherlands, Germany, Belgium, United Kingdom - the countries where Karfagen / Sunchild professionally presented interesting, melodic, dynamic and at the same atmospheric material, roots stretching into the legacy of bands like Pink Floyd, Camel, Focus, Happy the Man , Yes, Genesis, Marillion.

Piece by Piece was the second album recorded by Martyn after his return to Island Records after a seven year absence. During this time, his releases on other labels had seen most of any rough edges smoothed off and his guitar playing become almost non-existent. The lighter jazz/pop style which had begun on Grace and Danger had taken over. Keyboardist Foster Paterson was a prominent contributor to the songs on Piece By Piece, which are a mix of the instantly memorable and the soon forgettable.

Piece by Piece was the second album recorded by Martyn after his return to Island Records after a seven year absence. During this time, his releases on other labels had seen most of any rough edges smoothed off and his guitar playing become almost non-existent. The lighter jazz/pop style which had begun on Grace and Danger had taken over. Keyboardist Foster Paterson was a prominent contributor to the songs on Piece By Piece, which are a mix of the instantly memorable and the soon forgettable.

Sapphire is a rock album by John Martyn, who by this stage in his career had almost entirely abandoned the acoustic guitar and folk approach in favour of a glossy pop/rock sound. Recorded at Compass Point Studios, Nassau, Bahamas and CaVa Sound Workshops, Glasgow, Scotland, the album was originally released on LP by Island, catalogue number ILPS 9779, with cover photography by Anton Corbijn and a cover illustration by Cathie Felstead. Robert Palmer assisted in the later stages of the recording.