Art.of.the.dead.2019

In a world narrative dominated and controlled by powerful, wealthy individuals with vested interests in skewing the truth, what trust can be placed in our governments, our leaders and our sources of information to guide us to evolve as a species?

THIRD EAR BAND was one of the earliest signings to EMI’s Progressive imprint, Harvest Records. The band was formed in 1968 around a nucleus of GLEN SWEENEY (percussion), PAUL MINNS (Oboe), RICHARD COFF (Violin, Viola) and MEL DAVIS (cello). Third Ear Band were unique in their exploration of exotic baroque music fused with experimental rock. Signing to Blackhill Enterprises in 1969, the quartet opened for many of the legendary Hyde Park free concerts by Pink Floyd, The Rolling Stones and Blind Faith. Their debut album, “Alchemy”, released in July 1969, was championed by legendary DJ John Peel and is regarded as one of the most striking and original works of the era with its unique gothic improvisational music.

All good things must come to an end, and if we are to hold this understanding as true then there is no reason not to ensure that the finale is massive, glorious and affirming. Such is the scenario we find with UK legends Her Name Is Calla as we witness their final musical statement, the diverse and persistently riveting double album Animal Choir. This is one of those rare and exciting albums that feels like art clicking on all cylinders; no rules, no boundaries, nothing holding the performers back from doing exactly what is in their hearts, watching as every stroke lands just right on the canvas.