Art

Art of Noise (also The Art of Noise) were an English avant-garde synth-pop group formed in early 1983 by engineer/producer Gary Langan and programmer J. J. Jeczalik, along with arranger Anne Dudley, producer Trevor Horn and music journalist Paul Morley. The group had international Top 20 hits with "Kiss" and the instrumental "Peter Gunn", which won a 1986 Grammy Award. The group's mostly instrumental compositions were novel melodic sound collages based on digital sampler technology, which was new at the time. Inspired by turn-of-the-20th-century revolutions in music, the Art of Noise were initially packaged as a faceless anti- or non-group, blurring the distinction between the art and its creators. Collection includes: (Who's Afraid Of?) The Art Of Noise! (1984); In Visible Silence (1986); In No Sense? Nonsense! (1987); Below The Waste (1989); The Ambient Collection (1990); The FON Mixes (1991); The Seduction Of Claude Debussy (1999).

AI Applications to 3D Model and Create Concept Art in Blender

And What Have You Done With My Body, God is a 4CD box set by British electronic quintet Art Of Noise. It features early/primitive versions of songs that would be on their first two releases for the Zang Tuum Tumb label, along with outtakes, alternate takes, and unique mixes not used, plus programs made for cassingles. This consists of partial scans, everything but the booklet due to inability of scanning it.

EU-only five CD collection. The Jazz Messengers featuring Lee Morgan on trumpet, Wayne Shorter on tenor sax, Bobby Timmons on piano, Jymie Merritt on bass, and the leader Art Blakey on drums, were one of the most remarkable small groups in jazz history. This deluxe edition comprises all of the studio recordings by that legendary formation newly re-mastered and in chronological order, including all of their Blue Note sessions and their only Impulse date, with Curtis Fuller added on trombone. Presented here are the complete contents (plus all known alternate songs and takes) from the following original albums: THE BIG BEAT, LIKE SOMEONE IN LOVE, a NIGHT IN TUNISIA, PISCES, ROOTS AND HERBS, THE WITCH DOCTOR, THE FREEDOM RIDER, and JAZZ MESSENGERS!!!!!

Jazz accordion-master, Art Van Damme plays much more than cool/accordion mush. Born in Norway, Michigan, raised in Chicago, he is considered one of the greatest Jazz accordionists of all time. In the '60-'70 he is recorded many albums for German label MPS, considered among the best of his prolific career. Some of them are included into this combined Hi-Res collection.

EU-only five CD collection. The Jazz Messengers featuring Lee Morgan on trumpet, Wayne Shorter on tenor sax, Bobby Timmons on piano, Jymie Merritt on bass, and the leader Art Blakey on drums, were one of the most remarkable small groups in jazz history. This deluxe edition comprises all of the studio recordings by that legendary formation newly re-mastered and in chronological order, including all of their Blue Note sessions and their only Impulse date, with Curtis Fuller added on trombone. Presented here are the complete contents (plus all known alternate songs and takes) from the following original albums: THE BIG BEAT, LIKE SOMEONE IN LOVE, a NIGHT IN TUNISIA, PISCES, ROOTS AND HERBS, THE WITCH DOCTOR, THE FREEDOM RIDER, and JAZZ MESSENGERS!!!!!

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This superior three-LP box set reissues all of altoist Art Pepper's small-group dates for the Pacific Jazz label. Virtually all of the music has since been reissued on CD (part of it as The Artistry of Pepper and part of it under trumpeter Chet Baker's name), but the Mosaic box, which has an attractive booklet, is the definitive treatment of this chapter in Pepper's musical story. The great altoist is heard in a sextet with Baker and tenor saxophonist Richie Kamuca, on a version of "Tenderly" with Chet Baker's big band, with Baker and tenor Phil Urso in a different sextet, sharing the spotlight with tenor saxophonist Bill Perkins in a quintet, and heading a nonet playing arrangements by Shorty Rogers. The music is very much in the cool/bop tradition, but Pepper is instantly recognizable (he never sounded that much like Charlie Parker) and even at this early stage, he was at the top of his form. All 26 performances are quite enjoyable and swinging, making this hard-to-find set worth the search.