Daughters of Albion is happy Californian pop/rock music, imbued with streaks of the kind of weirdness that only cropped up in otherwise normal pop/rock records in the late 1960s. Some of the harmonies are good, if a little on the super-sweet and high side. The odd interjections of orchestration and weird little effects - most likely producer Leon Russell was a strong contributor in this regard - make this more interesting than you might expect from the basis of the songs alone. If you're looking for rough ballpark cult figures that might indicate whether you should seek this out, it's kind of between the albums of the era by Millennium and the Judy Henske-Jerry Yester duo. With its frequent good-time bounce, it's closer to Millennium than the darker and more resonant Henske-Yester collaboration, though it doesn't sound extremely close to either act, and isn't as good as either…
No Smoke Without Fire is the ninth studio album by rock band Wishbone Ash. It is the first album since 1972's Argus to be produced by Derek Lawrence. It is also the heaviest Wishbone Ash album in years, featuring rockers like the hit single "You See Red" and the multi-part progressive rock epic "The Way of the World." Many fans considered this to be a true return to form after their flirting with an "American" sound on their previous trio of albums.
No Smoke Without Fire is the ninth studio album by rock band Wishbone Ash. It was the first album since 1972's Argus to be produced by Derek Lawrence. It was also the heaviest Wishbone Ash album in years, featuring rockers like the hit single "You See Red" and the multi-part epic "The Way of the World." Many fans considered this to be a true return to form after their flirt with an "American" sound on their previous trio of albums. After a 1978 tour to support the album, Wishbone Ash would take a one-year hiatus during 1979 before regrouping for songwriting sessions at the end of the year.
Fronted by highly assertive female vocals, this Frankfurt quintet was formed in 1973 by guitarist Pit Hensel and bassist Claus Kniemeyer; musically, they followed in the tradition of Frumpy, Ruphus, Earth & Fire. Between 1976 and 1981, they released four albums of which the first two, "The Boat of Thoughts" (1976) and "An Ocean of Rocks" (1978), are by far considered their best. The subsequent "Rubber Angel" (1979) and in particular "Hart Am Rand" (1981) which features a male singer, are unfortunately not on par with the first two.
Perhaps leaning more towards rock than prog, their music crosses over various musical lines, mixing classic prog elements such as multiple rhythm changes, and straight-ahread rock with a little bit of blues thrown in. Searing guitars dominate the mix but you'll also hear plenty of synthesizer and some fine keyboard solos…