The arrival of a new Andrew Chalk album is always a cause for celebration. Following 'A Light at the Edge of the World' (a single piece), the sequel, out on his Faraway Press imprint, finds a new collection of 19 pieces sequenced in story-like chapter and verse from memories and melodies of a nostalgic past. Played more in thoughtful focus and with a lyrical narrative. In recent years, Chalk's recordings have reconfigured away from the static drama of high minimalism and into collections of miniatures - intimate, languid, sometimes haunted, always lovely snatches of sonic ephemera that could be pieced together as a koan of lost memory and forgotten landscape. An evanescent echo and artfully accreted drone trickle throughout the album, all of which are swimming in illumined, golden baths of hallowed light. The album closes with a solstice in midwinter.
These video recordings all from the Schwetzingen opera festival were recorded in the late 80s and early 90s and originally released on laser disk on the Teldec label.
Beyond the Ghost presents his third album in the Europa Series, a futuristic, bleak and moving sound voyage that merges electronics and acoustics.
Rome, the year is 2062. The whole of Europe has been falling apart for 2 years now. No one is quite sure what war even means at this point. In Rome, a few dozen soldiers of The Alliance fight against small groups of citizens who joined the resistance. Those who are too scared just hide away in bombed-out houses, starving to death, losing their mind. A city that was once beautiful has become the stage for an absurd tragedy of power struggles gone awry. As the sun sets over the Colosseum, a few gunshots and screams echo in the dead of night, the final tremors of a derelict world crumbling to nothingness.
I don't mean to take anything away from Elvis Presley and Jerry Lee, but I don't think I ever recorded anybody who was better as a singer, writer or player than Charlie Rich.– Sam Phillips, Sun Records
Of all the acts that came out of Sun Studios in the '50s and early '60s, from Howlin' Wolf to Elvis, from Johnny Cash and Jerry Lee Lewis to Carl Perkins and Bill Justis, none was more musically sophisticated and diverse in his writing, arranging, and performing than Charlie Rich. That's right, the same guy who had hits with "Behind Closed Doors," and "The Most Beautiful Girl in the World." Rich was equally adept at recording rockabilly, blues, R&B, jazz, country, gospel, and everything in between. This three-disc set of his years with Sun, from 1958-1962, point to that in a big way, that Rich was pretty much fully formed and wildly adventurous (often to the chagrin of Sam Phillips) when he began recording for the Memphis label.