After reuniting for 2008's Phoenix, the original four members of prog-pop supergroup Asia (bassist/vocalist John Wetton, keyboardist Geoff Downes, guitarist Steve Howe, and drummer Carl Palmer) stayed together for three more albums including 2012's XXX. However, after touring in support of that album, Howe amicably parted ways with the band to pursue other projects, and once again Asia were in search of a guitarist. Enter 27-year-old Sam Coulson, who replaces Howe for Asia's 2014 effort, Gravitas. A technical wizard on the guitar, Coulson has all the requisite abilities to fill Howe's role as resident flamethrower for Asia. Ironically, the aptly titled Gravitas is one of Asia's more reserved albums and Coulson, who acquits himself nicely throughout, isn't called upon to throw much fire for most of Gravitas' running time…
Celebrating 30 years since the release of their 1982 debut album, Asia's 2012 full-length XXX is also the third release to feature the original line-up since they reunited for 2008's Phoenix and 2010's Omega. Once again showcasing the talents of lead vocalist and bassist John Wetton, keyboardist Geoff Downes, guitarist Steve Howe, and drummer Carl Palmer, XXX is a rock tour de force that disproves the notion that rock bands get worse as they get older. In fact, as with Phoenix and Omega, XXX is a strong follow-up to both of Asia's first two albums and, while never sounding dated, smartly sticks to the band's '80s prog-pop sound. In keeping with this aesthetic, the album even features Roger Dean cover art reminiscent of his 1982 serpent on the band's self-titled debut…
This "concept" album related to an infamous rock'n'roll habit! Unfortunately the album sleeve didn't list the line-up, but it seems likely that Ken Hensley of Uriah Heep fame had a leading role. He recorded the Weed album during March 1971 in between the Uriah Heep albums Salisbury and Look At Yourself. Some members of the 1970/71 Virus line-up were also involved, Bernd Hohmann and Werner Monka at least and possibly their rhythm section as well. All six tracks were composed by the concert promoter Bobo Albes and Phillips' household producer Rainer Goltermann made sure the sessions in the Windrose Studios in Hamburg were preserved for posterity.
The organ has been regarded as an orchestra from its earliest beginnings, and over the years many composers have transposed vocal and orchestral works for the instrument.