Asrar

¡La odisea crepuscular de Conan! Jason Aaron y Mahmud Asrar regresan a la Era Hyboria. Después de que Conan abandonara el trono de Aquilonia, se embarcó hacia el oeste, en busca de nuevas aventuras en una tierra desconocida. Contempla el primer paso de ese viaje.

Forever Turned Around came together over several sessions across the country. Though Julien Ehrlich is Whitney's lead singing drummer while Max Kakacek is the lead guitarist, when writing, both transcend their roles to piece together each offering lyrically and compositionally. "The way it ends up working is one of us comes up with a basic idea for a song and the other person serves as the foil to complicate that idea. We ask, 'What can we change to make it more interesting?'" says Kakacek. Challenging each other is the core of their songwriting partnership. It's these risks and experiments that make Forever Turned Around a triumph.

Marvel Legacy. “La máquina del odio”, parte 2. Jean Grey y los suyos deben salvar a un mutante. Deberán luchar contra guardias armados con pistolas, manifestantes armados con odio… y Centinelas armados con algo mucho más peligroso.

Love is music's neverending muse. To quote Dehd from their fourth album Poetry's opener "Dog Days," it's a "Headache, dog days, stolen glances sideway/ Heartache, mistakes, giving yourself completely." Produced by Ziyad Asrar of the band Whitney, and recorded in New Mexico, Chicago, and the Pacific Northwest, the Chicago trio build their minimalist, vocal-forward pop around the pendulum of that most powerful of emotional states. The understated voices of bassist Emily Kempf and guitarist Jason Balla take turns leading "Hard to Love" alongside minimalist backing from drummer Eric McGrady. Kempf has described the song as her "sonnet of always choosing drunk men, men that are hard to love, a little bit dangerous, always inappropriate, and traumatized in various ways." In the very next track, "Mood Ring," she swings back from deep tragedies to joyous fevers singing about her "tough and rumble man" who is "everything I need, my sexy little angel." Kempf and Balla's voices intertwine on "Alien," resulting in a delicate dance that could be a garbled mess but isn't.

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