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THE GROUNDBREAKING 60'S & 70'S SOUND OF PIERRE BAROUH'S PIONEERING FRENCH LABEL SARAVAH, MIXING JAZZ, UNDERGROUND POP, SOUL, AFRICAN AND BRAZILIAN MUSIC. A 2-LP FEATURING BRIGITTE FONTAINE, ARESKI, JACQUES HIGELIN, ALFRED PANOU AND BAROQUE JAZZ TRIO WITH LINER NOTES BY BENJAMIN BAROUH AND JACQUES DENIS. Wewantsounds is delighted to present the first retrospective on vinyl of Saravah Records, one of the most influential French labels founded in Paris by singer, songwriter and producer Pierre Barouh in 1966. Featuring Brigitte Fontaine, Jacques Higelin, Alfred Panou, and many rare tracks reissued on vinyl for the first time, the set gives a glimpse of the free-form, groovy sound of the label between 1965 and 1976. Supervised by Pierre Barouh's son and Saravah historian, Benjamin Barouh, The 2-LP Gatefold set comes with a 4p insert featuring liner notes (Eng/Fr) by Benjamin plus an exclusive interview of Barouh's partner Fernand Boruso by Jacques Denis telling fascinating anecdotes around the label.

Of all the versions, Charpentier’s masterpiece celebrating the glory of Medea is among the most faithful to the grandiose nature of the ancient myth.

Médée, a tragedy in a prologue and five acts on a libretto by Thomas Corneille, was Marc-Antoine Charpentier’s first and last collaboration with the Académie Royale de Musique. The work was premiered on 4 December 1693, when Charpentier was exactly fifty years old and at the height of his career. Louis XIV attended the performance, proving that it was an eagerly awaited event. Yet this sombre drama, which disconcerted the public, was withdrawn after just ten performances, and not heard again until 1976. A specialist in the French repertory and a close associate of the Centre de musique baroque de Versailles, where he has followed all the advances in research and historically informed performance for thirty-five years, Hervé Niquet has endeavoured, in presenting this new Médée, scrupulously to apply all the scholarly findings available to us today.