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Antti Martikainen, an independent composer, producer and entrepreneur from Finland. He also run Omniscore, a music label that features other talented composers and producers.

Imagine the cave where music was born. In the introduction to their 9th studio album "HUMAN. II: NATURE.", NIGHTWISH take us all the way back to this ancient place and time when bashing rocks became rhythm and voice turned into harmonies. In the course of the millennia, this amazing cultural achievement evolved via Bach and Beethoven into blues, rock and heavy metal – a mental journey that the Finns trace in their upcoming full-length’s first song, ‘Music’.

Spring has a sound and comes back every year with the CD "Spring Lounge". Sounds like sunshine warm your ears for the most colorful time of the year. Enjoy beautiful chill sounds to dream and relax. Selected by DJ Michael Maretimo.

At just twenty-five years old, Théo Ould sees musical expression as a total art form, and explores all the possibilities of his instrument, the accordion, which he champions with great pride: ‘When I entered the conservatoire and held the instrument in my hands, I was fascinated by the sound as much as the object itself, halfway between a typewriter and an extra-terrestrial contraption: a “playing machine” in every sense of the word… I also discovered what its sound was like and what you could do with it. I learnt what stops that sound from expanding and how to use my whole body as a soundbox.’

This new release from DUX presents two 19th-century works of two Polish composers belonging to two different generations, so far almost unknown.

Few listeners know much, if anything, about Zygmunt Noskowski (1846–1909), even though Szymanowski featured among his distinguished students and Moniuszko among his renowned teachers. And yet, for most of the 19th century, Noskowski was the primary exponent of modern symphonic music in Poland. As a conductor and concert organiser, he himself championed the causes of forgotten Polish composers. Now it's the turn of Antoni Wit, who succeeded Noskowski at the helm of the Warsaw Philharmonic 94 years after his retirement, to raise the profile of his late-romantic colleague, having similarly promoted the music of Zygmunt Stojowski on a previous Capriccio recording (C5464).