At First Sight (inspired

Despite critical acclaim as a performer, the rootsy singer/songwriter T Bone Burnett earned his greatest renown as a producer, helming recording sessions for acts ranging from Roy Orbison and Elvis Costello to Counting Crows and Sam Phillips.

"Voyage", to Pierre Vassiliu, was not only the title of an album of his, but also a philosophy of life. Travels were not for vacation or rest. They were synonyms of meetings, new music and sometimes, simply, life. These experiences around the world nourished his work, and his career allowed him to set foot on every continent. But his most beautiful travels took place in recording studios.

The Jazz at Lincoln Center Orchestra (JLCO), comprising 15 of the finest jazz soloists and ensemble players today, has been the Jazz at Lincoln Center resident orchestra since 1988 and spends over a third of the year on tour across the world. Featured in all aspects of Jazz at Lincoln Center’s programming, this remarkably versatile orchestra performs and leads educational events in New York, across the U.S. and around the globe; in concert halls; dance venues; jazz clubs; public parks; and with symphony orchestras; ballet troupes; local students; and an ever-expanding roster of guest artists.

This surprisingly consistent collection of unreleased material compiles a series of demos and outtakes recorded by Ken Hensley, a singer and songwriter best known for his work with Uriah Heep, between 1971 and 1982. Odds and sods compilations are often a dicey proposition, but From Time to Time manages to beat the odds with an effective combination of polished songcraft and inspired performances: The studio outtakes all boast fully realized productions (some even including a string section) and the demos aspire to studio quality thanks to tight arrangements that often differ from the released versions ("If I Had the Time" forsakes the space rock excesses of the Uriah Heep version for a lovely, country-flavored mid-tempo pace)…