At Home in Arkansas December 2020

At Home in Arkansas - December 2020  Magazines

Posted by Puslik at Nov. 13, 2020
At Home in Arkansas - December 2020

At Home in Arkansas - December 2020
English | 76 Pages | PDF | 15 MB

Pallbearer - Forgotten Days (2020)  Music

Posted by delpotro at Dec. 3, 2020
Pallbearer - Forgotten Days (2020)

Pallbearer - Forgotten Days (2020)
EAC Rip | FLAC (tracks+log+.cue) - 369 Mb | MP3 CBR 320 kbps - 122 Mb | 00:53:02
Doom Metal | Label: Nuclear Blast

PALLBEARER are back with new album, »Forgotten Days«. Carefully plotted throughout 2019, the quartet's fourth long-player eschews the compositional maximalism that hoisted predecessor »Heartless« aloft for the heaviest groove and the most visceral hooks to come out of the Arkansans to date. Spread across eight towering tracks, »Forgotten Days« sees PALLBEARER embracing their roots again, but this time with a doom-infused metallic spark that's infectious and transcendent. Indeed, this album is everything a PALLBEARER fan could love. It is a raw and riveting evolution, filled with emotion and the unique downcast exuberance that has defined the band's storied career.
Hubert Sumlin - My Guitar And Me (1975) Expanded Remastered Reissue 2003

Hubert Sumlin - My Guitar And Me (1975) Expanded Remastered Reissue 2003
EAC | FLAC | Image (Cue&Log) ~ 309 Mb | Mp3 (CBR320) ~ 148 Mb | Scans included
Electric Chicago Blues | Label: Black And Blue | # BB 458.2 | Time: 00:55:19

Loose jam feel offers Sumlin plenty of space. This 1975 set was his first as leader. Quiet and extremely unassuming off the bandstand, Hubert Sumlin played a style of guitar incendiary enough to stand tall beside the immortal Howlin' Wolf. The Wolf was Sumlin's imposing mentor for more than two decades, and it proved a mutually beneficial relationship; Sumlin's twisting, darting, unpredictable lead guitar constantly energized the Wolf's 1960s Chess sides, even when the songs themselves (check out "Do the Do" or "Mama's Baby" for conclusive proof) were less than stellar. Sumlin started out twanging the proverbial broom wire nailed to the wall before he got his mitts on a real guitar. He grew up near West Memphis, Arkansas, briefly hooking up with another Young Lion with a rosy future, harpist James Cotton, before receiving a summons from the mighty Wolf to join him in Chicago in 1954. Sumlin learned his craft nightly on the bandstand behind Wolf, his confidence growing as he graduated from rhythm guitar duties to lead. By the dawn of the '60s, Sumlin's slashing axe was a prominent component on the great majority of Wolf's waxings, including "Wang Dang Doodle," "Shake for Me," "Hidden Charms" (boasting perhaps Sumlin's greatest recorded solo), "Three Hundred Pounds of Joy," and "Killing Floor." Although they had a somewhat tempestuous relationship, Sumlin remained loyal to Wolf until the big man's 1976 death.