At The Edges of Sleep

Canada's Falcons play original instrumental rock and roll inspired by The Shadows and The Ventures. Formed in 1992 by Vancouver guitarist Mike Beddoes, The Falcons have recorded five albums, toured in Europe and Canada’s Yukon, showcased in Japan, and helped revive the instro rock genre worldwide…

It’s not quite right to say that the Go-Go’s' 1981 debut, Beauty and the Beat, is where new wave caught hold in the U.S., but it’s not quite wrong, either. Prior to this, there had certainly been new wave hits – Blondie had been reaching the Top Ten for two years running – but the Go-Go’s ushered in the era of big, bright stylish pop, spending six weeks at the top of the U.S. charts and generating two singles that defined the era: the cool groove of “Our Lips Are Sealed” and the exuberant “We Got the Beat.” So big were these two hits that they sometimes suggested that Beauty and the Beat was a hits-and-filler record, an impression escalated by the boost the Go-Go’s received from the just-launched MTV, yet that’s hardly the case. Beauty and the Beat is sharp, clever, and catchy, explicitly drawing from the well of pre-Beatles ‘60s pop – girl group harmonies, to be sure, but surf-rock echoes throughout – but filtering it through the nervy energy of punk.

Like many fans, one of the things you can always love about the music of Warren Zevon has been his frequent refusal to play nice. While Zevon could write with tenderness and compassion when the spirit moved him, he was more likely to sound sarcastic, spiteful, venomous, and generally announce (loudly and with enthusiasm) that the emperor was naked given the appropriate subject, and he wasn't afraid to take on his friends and collaborators when so inclined.

Brian Eno & Harold Budd - Ambient 2, The Plateaux Of Mirror (1980) {2009 Virgin DSD Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 167 Mb | MP3 @320 -> 96 Mb
Full Artwork @ 300 dpi (png) -> 24 Mb | 5% repair rar | DSD Remaster
© 1980, 2009 Virgin Records / Astralwerks | 50999 6 84526 2 9
Ambient / Electronic / Avant-Garde / Experimental

The second in Brian Eno's ambient series, The Plateaux of Mirrors fuses the fragile piano melodies of Harold Budd and the atmospheric electronics of Eno to create a lovely, evocative work. In sharp contrast to the exaggerated pieces found on his debut, The Pavilion of Dreams, this record finds Budd delivering sharp shards of piano notes pregnant with meaning and minimal in the best sense of the word. Eno's unobtrusive electronics add a resonance and atmosphere that draw from the ambient textures found on Discreet Music, Music for Films, and Evening Star.