The band's sound combined with Nitzsche's timeless production style, which combined with that voice to create a purer rock & roll noise than even Bruce Springsteen's in 1981. The evidence is on the anthems "Maybe Tomorrow," the slippery doo-wop feel of "Love and Emotion," and the devastating read of Arthur Alexander's "You Better Move On" that includes in its soulful Spanish stroll mix a pair of marimbas and the ever-lamenting accordion, turning the track into something that is so deadly serious it should have perhaps been in West Side Story. This was Mink DeVille near their zenith as a recording unit.
As Emerson, Lake & Palmer were making a comeback on-stage and on record (with Black Moon) in the early '90s, their former record label, Atlantic, launched a series of digitally remastered reissues of their catalog and packaged this two-CD collection. ELP best-of records abound, but this one remains the best. Anyone interested in the group but unwilling to buy each and every album gets all essential tracks on two 75-minute discs. Two-thirds of the trio's debut LP are included (yes, even an unedited "Take a Pebble"). The complete studio version of "Tarkus" represents the album by the same title.
This box is separated into 4 categories by CD: Guitar, Piano, Vocalists and Chicago. The assortment is staggering…contains tracks by all of these must-hear artists: John Lee Hooker, the Kings (BB, Freddie and Albert) on the Guitar ad Chicago CDs, as well as Buddy Guy & Junior Wells, Otis Rush, Koko Taylor…on the Piano CD you get "Champion" Jack Dupree, Big Joe Turner, Dr. John AND Professor Longhair AND Ray Charles.
Essential: a masterpiece of progressive rock music
This live album was my starter to JL Ponty his work. I was in a record shop, watched the cover picture (photos from Armando Gallo, known from his work for Genesis) …
Twisted Sister were left in a strange position after the massive breakthrough success of their 1984 album, Stay Hungry. While the album contained more of a pop edge than their more raw preceding albums (Under the Blade and You Can't Stop Rock n' Roll), the heavy metal masses worldwide still embraced the album, as did the the lucrative MTV/pop audience. So for its follow-up, the band was faced with a question: whether to continue in a more pop-oriented direction or return to its early heavy metal. As the resulting album, 1985's Come Out and Play, proved, the band pursued a little bit of both.(…) And although the album was certified gold shortly after its release, it soon slid from sight – eventually leading to Twisted Sister's demise a few years later.
One of the most hotly awaited second albums in history – right up there with those by the Beatles and the Band – Déjà Vu lived up to its expectations and rose to number one on the charts.