Attilio

When producer Rocco Pandiani approached Maestro Attilio Zanchi about collaborating on an album for Mono Jazz label, he discovered Zanchi's longstanding passion project: a tribute to jazz legend Charles Mingus, which he had nurtured for two decades with a close-knit group of musicians. Initially, Pandiani had a different project in mind, so to convince him, Zanchi swiftly organized a concert in Milan featuring the full septet. The electrifying performance ended with the audience ecstatically cheering and dancing. Impressed, Rocco agreed to proceed with the record production, which took place three months later at Novenove studio in Milan.

When producer Rocco Pandiani approached Maestro Attilio Zanchi about collaborating on an album for Mono Jazz label, he discovered Zanchi's longstanding passion project: a tribute to jazz legend Charles Mingus, which he had nurtured for two decades with a close-knit group of musicians. Initially, Pandiani had a different project in mind, so to convince him, Zanchi swiftly organized a concert in Milan featuring the full septet. The electrifying performance ended with the audience ecstatically cheering and dancing. Impressed, Rocco agreed to proceed with the record production, which took place three months later at Novenove studio in Milan.

When producer Rocco Pandiani approached Maestro Attilio Zanchi about collaborating on an album for Mono Jazz label, he discovered Zanchi's longstanding passion project: a tribute to jazz legend Charles Mingus, which he had nurtured for two decades with a close-knit group of musicians. Initially, Pandiani had a different project in mind, so to convince him, Zanchi swiftly organized a concert in Milan featuring the full septet. The electrifying performance ended with the audience ecstatically cheering and dancing. Impressed, Rocco agreed to proceed with the record production, which took place three months later at Novenove studio in Milan.

Attilio Ariosti was a particularly versatile Italian composer, musician and poet, known throughout Europe. As an operatic composer his name was joined in London by those of Handel and Bononcini, and his 'Carillano' of 1723 and 'Vespasiano' of 1724 were much acclaimed. The cycle of Six Cantatas 'The Flowering and Fading of Love', only recently discovered and here receiving its first recording, forms a sonnet sequence about the journey of love, ranging from 'La Rosa' (the Rose) to 'Il Naufragio' (The Shipwreck) and the final 'La Gelosia' (Jealousy).