Aural Diversity

While the Norwegian jazz scene has been pursuing its own course for decades, the period of 1996-1997 represented a significant watershed, a milestone where an entirely new kind of music emerged, linked to jazz but distanced considerably—some might say completely, but they'd be mistaken—from its roots in the American tradition. Three seminal and groundbreaking albums were released within a year of each other: trumpeter Nils Petter Molvær's Khmer (ECM, 1997); noise improv group Supersilent's 1- 3 (Rune Grammofon, 1997); and, beating the others by a year, keyboardist Bugge Wesseltoft's aptly titled New Conception of Jazz (Jazzland, 1996). All three explored the integration of electronics, disparate cultural references, programming, turntables and—especially in the case of Supersilent, the most avant-garde of the three— noise, to create aural landscapes that were innovative, otherworldly and refreshingly new.

John McLaughlin - Montreux Concerts (2003) {17CD Box Set Warner Bros Switzerland 50-50466-9701-21 rec 1974-99}
EAC rip (secure mode) | FLAC(tracks)+CUE+LOG -> 5.66 Gb | MP3 @320 -> 2.07 Gb
Full Artwork @ 300 dpi (jpg) -> 72 Mb | 5% repair rar
© 1974-99, 2003 Warner Bros Switzerland / Montreux Sounds | 50-50466-9701-21
Jazz / Fusion / Post Bop / World / Guitar

John McLaughlin Montreux Concerts Box Set contains a bounty of 17 CDs from the acclaimed jazz guitarist's all-star performances at the famous Swiss jazz festival, including performances with Carlos Santana, Paco De Lucia and his Mahavishnu Orchestra. This monumental compilation features all the artist's concerts at the Montreaux Jazz Festival spanning the years 1974 through 1999. Featuring Shakti in July 1976 & 1977 (three discs), John McLaughlin & The One Truth Band in July 1978, John McLaughlin & Chick Corea in July 1981, Mahavishnu Orchestra in July 1984 (two discs), John McLaughlin & Paco DeLucia in July 1987 (two discs), John McLaughlin & The Free Spirits in July 1993 & 1995 (three discs), John McLaughlin & The Heart Of Things in July 1998, & John McLaughlin & Remember Shakti in July 1999.

Blues- and Gospel-Rooted Jazz Brilliance Sparks with Diversity, Personality, and Individualism: Mastered from the Original Master Tapes and Strictly Limited to 3,000 Numbered Copies.