Following several acclaimed albums of Handel’s operatic and choral masterpieces (including a triumphant Giulio Cesare with Natalie Dessay as Cleopatra and the oratorio La Resurrezione with British soprano Kate Royal), French harpsichordist and conductor Emmanuelle Haïm at last brings her fresh, expressive approach to Messiah. Joining her on a musically and spiritually uplifting journey for this long-awaited recording is Haïm’s own choir and period-instrument orchestra, Le Concert d’Astrée, with four of the UK’s finest Handelian singers. Having begun her career as a brilliant harpsichordist and protegee of Baroque pioneers William Christie and Christophe Rousset, Haïm has a long history with Messiah.
Ric & Ron are legendary New Orleans labels from the late '50s and early '60s, both founded by Joe Ruffino. Naming his twin labels after his sons, Ruffino didn't draw much of a distinction between his imprints, but Ric arrived first, with the recordman issuing a handful of sides he inherited from Ace before moving into local New Orleans artists he recruited with the assistance of Edgar Blanchard, who was hired as head of A&R. Blanchard didn't stick around long and his replacements Harold Battiste and Mac Rebennack –- later better known as Dr. John – helped Ruffino build a N.O. R&B empire that was the stuff of legend.
As part of The Stranglers' celebration of their Ruby Anniversary, the definitive collection of the B-side recordings they made whilst signed to Epic is released for the first time, via their own label. Appropriately, as befits a band marking forty years together, Here & There: The Epic B-sides Collection 1983-1991 gathers 40 tracks across 2 CDs and is also released as a 40 track digital package. The Stranglers released no less than 13 singles in the UK during this period, which saw them produce five albums: four studio and one live. The Stranglers signed to Epic Records in 1982 having been with United Artists / Liberty since 1977. The change of label coincided with changes in marketing policy across the UK industry - often dubbed "the Frankie Goes to Hollywood effect". Previously, The Stranglers' had released only one 12" single - an extended version of Bear Cage in 1980 - but from 2nd Epic single, Midnight Summer Dream until 1990, each release had a 12" version which required extra studio or, increasingly, live tracks to "add value" to the package.
Fantasio is considered one of Offenbach’s most beautiful and refined works. A heady cocktail of charm, gracefulness and gentle melancholy, of bad-tempered jokes and poetry, Fantasio marks the crucial step in Offenbach’s path towards The Tales of Hoffmann. Among the least known of Offenbach’s works it received only 10 performances following its very brief run in Paris in 1872 before it was dropped from the repertoire. This recording marks the world premiere studio recording of the complete opera using the new critical edition by Jean-Christophe Keck.
Cardboard sleeve reissue from Kevin Ayers features remastering in 2014 and the high-fidelity SHM-CD format (compatible with standard CD players). The cover faithfully replicates the original UK LP artwork. Includes an obi featuring design of original Japanese limited edition's LP (subject to change). Comes with a description and lyrics. Part of eight-album Kevin Ayers cardboard sleeve reissue series features the albums, "Joy Of A Toy +5," "Shooting At The Moon +6," "Whatevershebrings Wesing +10," "Bananamour +7," "Odd Ditties +3," "Yes We Have No Mananas. So Get Your Mananas Today +9," "Rainbow Takeaway +7," and "That's What You Get Babe +4." Bonus tracks.
Joe Cooch (Guitar/Vocals) & Leo Lyons (Bass) - both former members of the band Ten Years After, 2002 - 2013 - formed a great singer-songwriting pair for TYA. Leaving TYA they've stayed together & formed Hundred Seventy Split and, along with regular drummer Damon Sawyer, have produced a high energy blues rock band that you must listen to.