Avenue From September 2015

Widely acknowledged as a modern master in the aftermath of his acclaimed 2012 Mack Avenue debut, The Bespoke Man’s Narrative, 29-year-old pianist-composer Aaron Diehl ups the ante with the 2015 release Space, Time, Continuum. Diehl first documented his inclusive, across-the-timeline conception on the self-released late ?00s albums Live At Caramoor, a solo date on which he navigated the stride piano canon with deep assurance; and Live At The Players, on which he applied a broad lexicon of piano trio vocabulary to a program spanning classical music, bebop and the blues. On The Bespoke Man’s Narrative, Diehl presented original music drawing on antecedent bandleader-composers like John Lewis and Duke Ellington for strategies that facilitated individualistic performances from his unit of A-list peers.

Chris Lightcap is a bassist's bassist. As a sideman to leaders such as Regina Carter, Matt Wilson, Joe Morris, Marc Ribot, and Craig Taborn, his rock-solid timekeeping can be quite inconspicuous. He is a sort of steadfast superglue that leaders and composers hold in high regard. As a leader and composer, there is another Chris Lightcap. Epicenter, is his third Bigmouth release, following the quintet Deluxe (Clean Feed, 2010) and a quartet Bigmouth (Fresh Sound New Talent, 2002). He continues to display his ability to sculpt music utilizing a two-tenor saxophone lineup.

This 3 CD set includes radio broadcasts transmitted during this initial period of Tom Waits career, and features complete live performances recorded in; 1975 at the studios of KRQS FM, Minneapolis, featuring just Tom alone at his piano; in December 1976 at Media Sound Studios - another in studio session during which, between numbers, Tom is interviewed by the station presenter; and in 1977, back in the big apple at the famous, My Father s Place venue, out on Long Island.

Bruce Springsteen AKA The Boss was a singer songwriter signed to Columbia records in the early seventies. Having recorded two critically well received albums (Greetings From Asbury Park and The Wild the Innocent and the E Street Shuffle) he broke through commercially worldwide with the album Born To Run which was released on the 25th August 1975. Whilst the album broke Bruce his relationship with his manager had soured to the extent that he was subsequently embroiled in litigation for two years and unable to record for over twelve months. This gave Bruce and the band the opportunity to hone their craft by playing extensively across the USA and also a well-documented appearance in the UK. This recording is the complete performance from a stint at The Roxy in Los Angeles in October 1975. The set was broadcast on radio and is considered to be one of the great live performances featuring songs from the recently released Born To Run album and also key songs from his previous two albums alongside some covers which he made his own in new arrangements.

Orchestral Manoeuvres In The Dark - Junk Culture (1984) {2015 30th Anniversary Deluxe Edition 4701075}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 765 Mb | MP3 @320 -> 267 Mb
Full Artwork @ 600 dpi (png) -> 795 Mb | 5% repair rar
© 1984, 2015 Virgin EMI Music / Universal | 4701075
Synth Pop / New Wave / Alternative Dance / New Romantic

Orchestral Manoeuvres in the Dark will reissue its fifth album, 1984′s pop comeback Junk Culture, in February as a two-disc Deluxe Edition that will find the original album fully remastered and supplemented by a disc of the era’s B-sides, extended remixes and five previously unreleased songs and demos. The bonus disc features 10 B-sides and remixes, plus two previously unheard songs (“All or Nothing” with Paul Humphreys on vocals, and “10 to 1,” an unreleased song featuring lyrics later used in “Love and Violence”), plus three previously unreleased Junk Culture demos.

Astral Weeks is generally considered one of the best albums in pop music history, but for all that renown, it is anything but an archetypal rock & roll album. It isn’t a rock & roll album at all. Van Morrison plays acoustic guitar and sings in his elastic, bluesy, soulful voice, accompanied by crack group of jazz studio players: guitarist Jay Berliner, upright bassist Richard Davis, Modern Jazz Quartet drummer Connie Kay, vibraphonist Warren Smith and soprano saxophonist John Payne (also credited on flute, though that’s debatable—some claim an anonymous flutist provided those parts).

Astral Weeks is generally considered one of the best albums in pop music history, but for all that renown, it is anything but an archetypal rock & roll album. It isn’t a rock & roll album at all. Van Morrison plays acoustic guitar and sings in his elastic, bluesy, soulful voice, accompanied by crack group of jazz studio players: guitarist Jay Berliner, upright bassist Richard Davis, Modern Jazz Quartet drummer Connie Kay, vibraphonist Warren Smith and soprano saxophonist John Payne (also credited on flute, though that’s debatable—some claim an anonymous flutist provided those parts).

This top notch Dutch band from The Hague had their pinnacle during the early Seventies when they delivered some outstanding 24 carat symphonic rock albums. EARTH AND FIRE was founded by the twin brothers Chris (guitar) and Gerard (keyboards) Koerts in '68. Soon bass player Hans Ziech, drummer Kees Kalis and singer Lisette joined them. Unfortunately Lisette had to give up singing because of a serious eye-disease and Kees Kalis left…