Aves

Un grupo de aves, habitante de una región aislada, descubre lo que parece ser un gigantesco huevo a punto de eclosionar. Relato dotado de un ritmo sincopado y lírico, recorrido igualmente por el humor y por la tragedia, Grandes preguntas hunde sus raíces en las fábulas clásicas.

A eight-part animatied portrait of various species, accompanied by a different style of music - the various parts are: Aquatilia (foxtrot), Hexapoda (bolero), Pisces (blues), Reptilia (tarantella), Aves (tango), Mammalia (minuet), Simiae (polka) and Homo (waltz). Each animation mixes drawings, pictures, real animals and animated skeletons

Promoción editorial: ¡Preparad las maletas! Las Aves de Presa siguen con su perturbador viaje por Gotham mientras que Supergirl puede caer derrotada ante… ¿Mantarraya? Por su parte, Green Arrow planta cara a un viejo amigo. ¡Se vienen curvas!

In San Francisco the beautiful Melanie meets the lawyer Mitch Brenner. The two become an attraction, however, retained by the coldness and formalism of both. She decides to join him in his house outside the city to bring a gift two parakeets. When I first arrived in the country, Melanie is wound in the head by a seagull. It seems an isolated

This compilation offers a first overview of the early works of electronic and tape music created by Peruvians between 1964 and 1984. This period marks a technical and aesthetic evolution that allows us to understand the development of electronic music in the Peruvian context, from an initially internationalist model to a more situaded one. The first phase occurs in the 1960s, when many composers migrated outside Peru in search of advanced training and access to knowledge and infrastructure that the academic music scene in Peru could not provide. During these specialization trips, Peruvian composers gained access to the languages of the international avant-garde of the post-war period. César Bolaños traveled to Argentina, to the Centro Latinoamericano de Altos Estudios Musicales (CLAEM) at the Instituto Di Tella, where he produced an extensive body of work, including "Intensidad y Altura" (1964) for magnetic tape, the first electronic work produced in the CLAEM electronic music laboratory. Similarly, Edgar Valcárcel was a CLAEM fellow and also spent time at the Columbia-Princeton Electronic Music Center in New York, where he composed, among other works, "Invención" (1967) for magnetic tape. Enrique Pinilla also passed through there, composing "Prisma" (1967) for magnetic tape. Alejandro Núñez Allauca was another CLAEM fellow, where he composed "Gravitación Humana" (1970) for magnetic tape.