A collection of new and past remastered songs of Azar's, all coming together. Besides Coldwater, expect to hear Rosedale & Midnight soon, they will be upcoming singles off this project as well.
Reissue with the latest remastering. Stellar reed work from Azar Lawrence – a player who's best known for his acoustic revival in recent years, but who could play with some excellent electric backings during the 70s! The set's less an electric funk outing than it is a spiritual jazz set, with keyboards and guitar in the mix – beautifully put together by the young Skip Scarborough, with a feel that's very similar to Gary Bartz's work with Larry Mizell!
Orquesta De Las Nubes fue una oscura banda experimental liderada por Suso Saiz que edito tres discos en los '80 (Orquesta De Las Nubes was an obscure 80's experimental band led by Suso Saiz that released three albums in the 80's.
A beautiful album of spiritual soul and Brazilian influenced jazz from Azar Lawrence – and a pretty rare one we're thrilled to have! Lawrence is a stellar sax player with a sound that's a bit like Gary Bartz, which means that he fits in perfectly with the Fantasy-era Prestige Records sound – but the sounds on this set are uncommonly rich and globally influenced. The set's predominantly acoustic, with lots of modal grooves in kind of a Strata East vein – and angular post-Coltrane playing that's very similar to Bartz's work on the Libra album from his early days. Players include Raul De Souza on trombone, Ron Carter on bass, Billy Hart on drums, Dom Salvador, who is really allowed to shine on piano on a few tracks, and drummer & percussionist Guilherme Franco, who brings a world of wonderful percussion on a couple of numbers.
Jazz fans of a certain age who remember McCoy Tyner’s great 1973 album Enlightenment may have wondered what became of Azar Lawrence. He dropped off jazz radar for most of three decades, but he is back. The Seeker is his fifth record since 2007. He also plays in drummer-composer Franklin Kiermyer’s quartet on Further. Lawrence has been compared to John Coltrane his whole working life, but he is not a replica. He plays Coltrane’s instruments but not his licks and patterns. Even Lawrence’s sound is a variant. On soprano saxophone he is somewhat more rounded, and has slightly more vibrato on tenor. What he shares with Coltrane is an intensity of passion that overwhelms everything in its path.