Se abordan, con un lenguaje comprensivo para el gran público, los grandes periodos de la historia del arte occidental, desde la Prehistoria hasta nuestros días. Las formas artísticas y sus cambios son estudiadas en su contexto, integrando la historia del arte en la historia de la cultura, de manera que el alumno aprenda a ver las obras clave de cada época, comprendiéndolas tanto en sus aspectos formales como en sus significados.
This is, according to most, the best album by Seru Giran. While I consider the bands first three albums all to be masterpieces, I think its here that the band managed to really coalesce into a single unit. The first album, was mostly led by maestro Charly García and has a more classical music feel to it. The second album saw the band consolidate itself but producing more mainstream rock oriented tracks. On the other hand, Bicicleta saw the band producing a rather proggy album with amazing things to hear. This is mainly evidenced by the whole array of genres that find their way here: rock&roll, jazz, tango, new wave…..
Serú Girán is a progressive rock band starring Argentine Rock star Charly García, guitar player David Lebón, the young multi-instrumentalist Pedro Aznar, and the late drummer Oscar Moro. In the late '70s after Charly's symphonic rock project "La Máquina de Hacer Pajaros," which was a commercial failure, came to an end, Charly García moved to Brazil to start a new project and met guitar player and singer David Lebón. He decided to go back to Buenos Aires in search of musicians and "Serú Girán" was born and their eponymous debut was recorded in 1978.
Yo no quiero volverme tan loco is the third and last live album of Serú Girán recorded in December 1981 and released in 2000. It was recorded at the Teatro Coliseo in Buenos Aires.