Búfalo Six Six

Progressive Rock Band SiX BY SiX release their self-titled debut album featuring members of Saga, The Greg Kihn Band & Saxon. On more than 45 minutes of prog-influenced heavy rock Robert Berry (vocals), Ian Crichton (Guitar) and Nigel Glockler deliver a very strong musical statement. The signature guitar sound of Saga-Guitarist Ian Crichton provides the final touch to an all-around harmonic longplayer.

For the follow-up to their eponymous debut album, renowned rockers Ian Crichton (Saga), Nigel Glockler (Saxon) and Robert Berry (The Greg Kihn Band), otherwise known as SiX By SiX, reconvened in a San Francisco Bay Area studio and unleashed their shared alchemy. They worked throughout 2023 to bend, shape, hammer and caress their diverse musical talents into 11 impressive tracks. With this album, the classic power trio line-up continues to define and build upon their unique melodic space, welding guitar-driven rock, metal and prog into a unique and powerful sonic setting.

In a selection of motets woven affectingly throughout the glorious five-part Mass, The Gesualdo Six perfectly captures all the power and tenderness of Byrd’s compositional voice.

The New Colony Six started out as one of the better garage bands to come out of the Midwest in the mid-'60s, playing tough British Invasion-style rock & roll (their "At the River's Edge" made it onto the Nuggets box set), and they later evolved into a surprisingly sophisticated and skillful pop group that scored nationwide hits with the singles "Love You So Much" and "Things I'd Like to Say." However, this collection of odds and ends doesn't quite play to either side of the band's personality; in fact, most of the 24 songs aren't actually by the New Colony Six, with 11 tunes by the Raymond John Michael Band (which featured three NC6 alumni, singer Ray Graffia, drummer Chick James, and keyboard man Craig Kemp) and one each by Junior and Graffia, both latter-day Ray Graffia projects…

Though it's not obvious from the cover, this 22-track CD compilation is basically a reissue of the New Colony Six's third and fourth LPs (1968's Revelations and 1969's Attacking a Straw Man), presenting the albums one after the other with their original track sequences. This was the era in which the Chicago band, which started off with a rawer garage pop sound, softened its approach considerably and found some modest national commercial success. Those who swear by the group's earlier work (particularly the excellent 1966 debut, Breakthrough) are likely to be disappointed by the far more mainstream harmony pop/rock of these records, though on the other hand, fans of groups like the Association might favor this era more than the previous one…