Elisa

Young and talented Elisa Tomellini loves challenges and is used to climbing high mountain peaks. Both physical as well as musical. No wonder then that she is the first woman to perform the first version of the Etudes aprés Paganini (S.140) that Robert Schumann reviewed as “the most difficult work ever written for the piano, as is the original for the violin. Certainly only a few pianists will be able to tackle them, perhaps no more than four of five in the world.” Dynamic is proud to feature one of them.

Throughout its Golden Age, England cultivated the masque, an elite entertainment featuring dialogue, song, and dance. As part of these spectacles, courtiers—and at times even the queen herself—often graced the dance floor. But it was hired professionals who provided the musical heart of these productions. Lutenists in particular were especially adept at creating music for any occasion. The dances, variations on popular songs, and fantasias they composed are full of versatility and virtuosity. This recording features lute works by the foremost composers of the Elizabethan-Jacobean era, with music by Dowland, Holborne, Bacheler, Ferrabosco, and other contemporaries who participated in The Queenes Maskes. For many years Elisa La Marca has been much sought after by leading specialist ensembles (Il Giardino Armonico, Il Pomo d’Oro, Les Musiciens du Prince, Zefiro etc.), with which she appears in prestigious locations, the mostly recent being the Teatro alla Scala in Milan. Here she presents her first solo album, devoted to one of her favourite repertoires.