B. Walter

Based out of New Orleans, guitarist and singer Walter "Wolfman" Washington has become one of the leading lights in the Louisiana blues scene, playing a fiery mixture of soul, funk, jazz, and blues. Washington first became a local hero backing up some of the Crescent City's most celebrated blues and R&B acts before moving on to a successful solo career, playing the blues with rare fluency and power.
In 1981, Washington cut his first solo album, Rainin' in My Life, for the small New Orleans label Help Me Records. Rounder Records, who had released several of Johnny Adams' albums with Washington, offered the guitarist a deal, and he released three albums for the respected roots music label, 1986's Wolf Tracks, 1988's Out of the Dark, and 1991's Wolf at the Door…

It is no exaggeration to call Little Walter the Jimi Hendrix of the electric harp: he redefined what the instrument was and what it could do, pushing the instrument so far into the future that his music still sounds modern decades after it was recorded. Little Walter wasn't the first musician to amplify the harmonica but he arguably was the first to make the harp sound electric, twisting twitching, vibrant runs out of his instrument; nearly stealing the show from Muddy Waters on his earliest Chess recordings; and so impressing Leonard Chess that he made Muddy keep Walter as his harpist even after Waters broke up his band. Chess also made Walter into his studio's house harpist and started to release Little Walter solo records with the instrumental "Juke" in 1952. "Juke" became a smash hit and turned Little Walter into a star, making him a steady presence on the '50s R&B charts.

Walter Wilhelm Gieseking (5 November 1895 – 26 October 1956) was a German pianist and composer.