Step forward the eighth set in Ace's mid-price series of vintage B.B. King recordings based on his albums released on the Crown label. Between 1957 and 1963, the Bihari brothers' dime store label released 12 albums, comprised of singles from their RPM and Kent labels, tracks from the vaults, plus dedicated album sessions. Despite the "cheap and cheerful" production values, the B.B. King Crown albums became collectors' items due to the high quality of B.B.'s recordings and the eye-catching artwork. The LPs were a discographical headache until Ace was able to unravel the details.
The career of blues guitar legend B.B. King has spanned some six decades, and he has earned a reputation of one of the best of the blues through constant touring and dynamic live performances. One of the frequent stops along King's seemingly never-ending tour is the annual jazz festival in Montreux, Switzerland, where the guitarist has made better than 20 appearances through the years.
Originally released in 1958 by the budget-priced Crown label, The Blues collected a dozen sides B.B. King cut for RPM and Kent between 1951 and 1958. (RPM and Kent were owned by the Bahari Brothers who also ran Crown, which explains how one of the true prestige artists of the blues ended up on such a notoriously cheap-o label.) As was often the case with Crown's product, The Blues used a single hit tune (in this case "When My Heart Beats Like a Hammer," a Top Ten R&B chart entry in 1954) to help sell a package of lesser-known material, but thankfully the label also picked some great tunes that hardly sound like filler, even if they didn't make the charts.
B.B. King - Complete Recordings 1949-1962; 6 CDs, 168 tracks, over 8 hours of music B.B. King, known as The King of the Blues, and indeed one of the Three Kings of Blues Guitar (along with namesakes Albert and Freddie) was amongst the finest guitarists and vocalists to ever grace the genre. He has featured in Rolling Stones 100 and Gibsons 50 Greatest Guitarists of All Time, reaching 6 and 17 respectively. Across the six discs comprising this boxed set lie the foundations of one of the most enduring legacies in all of the blues. Featuring more than 160 cuts and over eight hours of music, this compilation will surely remain the ultimate collection of B.B. Kings output a catalogue which most blues fans regard as home to some of the finest music ever released.
He may not be a household name, but die-hard blues fans know Little Milton as a superb all-around electric bluesman – a soulful singer, an evocative guitarist, an accomplished songwriter, and a skillful bandleader. He's often compared to the legendary B.B. King – as well as Bobby "Blue" Bland – for the way his signature style combines soul, blues, and R&B, a mixture that helped make him one of the biggest-selling bluesmen of the '60s (even if he's not as well-remembered as King)…
Concert live on the 7th february 2003, at the New York City's Radio City's Music Hall.
Renowned artists across music genres and generations commandeered the stage at New York City's Radio City Music Hall to pay tribute to their common heritage and passion: the blues. This once-in-a-lifetime salute benefit concert produced proceeds .that went to musical education. Antoine Fuqua directs and Martin Scorsese is the executive producer. Performers include B.B. King, India Aire, Natalie Cole, John Fogerty, Macy Gray, Buddy Guy, Neville Brothers, Bonnie Raitt, Steven Tyler & Joe Perry from Aerosmith, and more! This fil is rated PG-13. DVD features include 5 deleted scenes of performances by Tyler & Perry, Guy, and more!A slice of musical history was created on February 7th, 2003, when a dazzling array of blues artists gathered at New York City's Radio City Music Hall…..
It's been so long since B.B. King stepped outside of his comfort zone that One Kind Favor comes as a bit of a shock. Unlike so many albums he's cut in the wake of the crossover success of The Thrill Is Gone way back in 1970, the sound is stripped-back, not splashy, there is not a reliance on guest stars, and the repertoire is pure blues - and these are all songs that he's never recorded before, including three tunes by his longtime idol Lonnie Johnson. Credit for the concept must be given to producer T Bone Burnett, who applies a similar neo-rootsy aesthetic to One Kind Favor that he did to his production of Robert Plant and Alison Krauss' Raising Sand - an approach that's grounded in tradition but has a smoky, smeary veneer that's thoroughly modern…