B.b. King Blues On Top Of The Blues

Cream is good at a number of things; unfortunately song-writing and recording are not among them. However, they are fantastic performers and excellent musicians. Their latest recording, Wheels of Fire, a two-record set inside a silver jacket, proves all this.

Although Live & Well wasn't a landmark album in the sense of Live at the Regal, it was a significant commercial breakthrough for King, as it was the first of his LPs to enter the Top 100. That may have been because recognition from rock stars such as Eric Clapton had finally boosted his exposure to the White pop audience, but it was a worthy recording on its own merits, divided evenly between live and studio material. King's always recorded well as a live act, and it's the concert tracks that shine brightest, although the studio ones (cut with assistance from studio musicians like Al Kooper and Hugh McCracken) aren't bad.

He may not be a household name, but die-hard blues fans know Little Milton as a superb all-around electric bluesman – a soulful singer, an evocative guitarist, an accomplished songwriter, and a skillful bandleader. He's often compared to the legendary B.B. King – as well as Bobby "Blue" Bland – for the way his signature style combines soul, blues, and R&B, a mixture that helped make him one of the biggest-selling bluesmen of the '60s (even if he's not as well-remembered as King). As time progressed, his music grew more and more orchestrated, with strings and horns galore. He maintained a steadily active recording career all the way from his 1953 debut on Sam Phillips' legendary Sun label, with his stunning longevity including notable stints at Chess (where he found his greatest commercial success), Stax, and Malaco.

It's been so long since B.B. King stepped outside of his comfort zone that One Kind Favor comes as a bit of a shock. Unlike so many albums he's cut in the wake of the crossover success of The Thrill Is Gone way back in 1970, the sound is stripped-back, not splashy, there is not a reliance on guest stars, and the repertoire is pure blues - and these are all songs that he's never recorded before, including three tunes by his longtime idol Lonnie Johnson. Credit for the concept must be given to producer T Bone Burnett, who applies a similar neo-rootsy aesthetic to One Kind Favor that he did to his production of Robert Plant and Alison Krauss' Raising Sand - an approach that's grounded in tradition but has a smoky, smeary veneer that's thoroughly modern…

The Moody Blues‘ third album, In Search of the Lost Chord will be reissued as a five-disc, 50th anniversary box set in November. This set features three CDs and two DVDs. The CDs include both the original stereo mix and a new stereo mix, along with mono ‘A’ and ‘B’ sides of the original Deram-era singles, BBC radio sessions, alternate mixes and other bonus tracks (including a never-before-heard mono version of ‘Legend Of A Mind’).

On February 7, 2003, renowned artists across music genres and generations commandeered the stage atNew York City's Radio City Music Hall to pay tribute to their common heritage and passion: the blues. Shared with thousands of fans in attendance, legendary performers from the roots of rock, jazz,and rap joined forces for a once-in-a-lifetime salute to the blues benefit concert whose proceeds went to musical education. Executive produced by Martin Scorcese, produced by Alex Gibney and directed by Antoine Fuqua, LIGHTNING IN A BOTTLE captures the night's magic and weaves a history of blues through the juxtaposition of performers, backstage interviews, rehearsals, and archival clips of some of the greatest names in American music, from blues royalty like Buddy Guy and B. B. King to theirmusical heirs ranging from John Fogerty and Bonnie Raitt to Mos Def and Indie.