B.b. King Let The Good Times Roll

Taped live in Rome and originally broadcast on Cinemax in 1989, this hourlong reunion of rock legends duplicates an all-star lineup as it might have appeared at the famous Apollo theater in the late 1950s. Here on one stage are the greatest blues-based musicians who built the solid foundation of rock & roll, all African American with the exception of Jerry Lee Lewis, and all showing absolutely no signs of slowing down….

In the late 1950s and early 1960s R&B stood for ‘rhythm and blues’ - a term associated with some of the most joyous and vibrant popular music ever made. More diverse than the blues, R&B was basically the forerunner of Soul music, and the black equivalent of rock ‘n’ roll: instrumentally energetic, with superb vocals delivered by heartfelt voices that had (mostly) learned to sing in gospel choirs. This 40-track compilation is a combination of well-known hits and real obscurities, but it’s all solidly good stuff. All in all, you’ll certainly find more than enough in this compilation to set those good times rolling again.

Decades before Corey Harris, Guy Davis, and Keb' Mo' wed the Delta blues to various folk forms, there was Taj Mahal. Almost from the very beginning, Mahal provided audiences with connections to a plethora of blues styles. Further, he offered hard evidence connecting American blues to folk styles from other nations, particularly, but not limited to, those from the West Indies and various African countries, bridging gaps, highlighting similarities, and establishing links between many experiences of the African diaspora…

This five-disc, 116-track box set presents a sweeping history of the blues from its emergence in the early 1900s clear through to its various contemporary guises, and includes samples of country blues in all of its regional variations, as well as cuts from string bands, jug bands, jazz combos, gritty Chicago blues outfits, and a look at how rock artists like Bob Dylan and Jimi Hendrix incorporated the blues into their distinctive styles. Intelligently gathered and arranged, it treats the blues both from a historical perspective and from a working assumption that the form is still alive and well, continually morphing and transforming itself. There simply isn't a better or deeper survey of the blues on the market.