Babe Babe

First Base was British hard rock group Babe Ruth's biggest success, both in terms of popular and critical acclaim. This LP defined an interesting junction between hard rock and progressive rock. The two driving forces behind this album were guitarist Alan Shackloc, who wrote most of the material, and vocalist Janita Haan, who came out as the perfect balance between Janis Joplin and Robert Plant. The album contained "The Mexican," the band's classic song which also includes a theme by western soundtrack composer Ennio Morricone ("Per Qualche Dollaro in Piu").

First Base was British hard rock group Babe Ruth's biggest success, both in terms of popular and critical acclaim. This LP defined an interesting junction between hard rock and progressive rock. The two driving forces behind this album were guitarist Alan Shackloc, who wrote most of the material, and vocalist Janita Haan, who came out as the perfect balance between Janis Joplin and Robert Plant. The album contained "The Mexican," the band's classic song which also includes a theme by western soundtrack composer Ennio Morricone ("Per Qualche Dollaro in Piu").

First Base was British hard rock group Babe Ruth's biggest success, both in terms of popular and critical acclaim. This LP defined an interesting junction between hard rock and progressive rock. The two driving forces behind this album were guitarist Alan Shackloc, who wrote most of the material, and vocalist Janita Haan, who came out as the perfect balance between Janis Joplin and Robert Plant. The album contained "The Mexican," the band's classic song which also includes a theme by western soundtrack composer Ennio Morricone ("Per Qualche Dollaro in Piu"). Other highlights include the powerful rock number "Wells Fargo," the sweet-and-sour "Black Dog" (with nice piano work by Dave Punshon), and a surprising rendition of Frank Zappa's "King Kong"…

The Turtles' first album was recorded in a frantic hurry, in response to the hit status achieved by their debut single, "It Ain't Me Babe." At the time, the members were barely out of high school, a situation that might have caused a lot of other young musicians to fold up under the strain of the moment - there was no time to write (and barely time to find) the songs the members might have seemed worthy of so momentous an event (which it would have been) as a debut long-player. But the members were smart and they were also lucky - they reached out to more of Bob Dylan's songbag, and also back to their own high-school past in folk music as the Crosswind Singers. Thus, their debut album led with a chiming electric rendition of Howard Kaylan's 1963-vintage "Wanderin' Kind"…

The Turtles - It Ain't Me Babe (1965) {2017 2CD Edsel Deluxe Remastered Edition EDSK7117}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 334 Mb | MP3 @320 -> 134 Mb
Full Artwork @ 600 dpi (png) -> 447 Mb | 5% repair rar
© 1965, 2017 Edsel Records / Flo & Eddie Inc. / Demon Music | EDSK 7117
Pop Rock / AM Pop / Folk-Rock / Sunshine Pop

The Turtles enjoyed eighteen US hit singles between 1965 and 1970, three of which (“Happy Together”, “She’d Rather Be With Me” and “Elenore”) were also huge hits in the UK. From their original incarnation as surf band The Crossfires, all the way to their final single, the Turtles traversed several different musical paths during their career. It is precisely this power through diversity that makes the Turtles’ body of work one of the most rewarding and enjoyable of the 1960’s – they never met a genre they didn’t like. Edsel Records is proud to present the band’s six albums, each as a 2 CD digipak set.

Lloyd Cole's second solo album, 1991's Don't Get Weird on Me, Babe, was about a half-decade ahead of its time. If it had come out in 1996, after Richard Davies' Cardinal project, the High Llamas' Gideon Gaye, and the new belief in indie circles that Pet Sounds and Burt Bacharach were musical icons worthy of veneration, this would have slotted right in. In the year bracketed by My Bloody Valentine's Loveless and Nirvana's Nevermind, Don't Get Weird on Me, Babe (title courtesy of Raymond Carver) was considered a self-indulgent oddity. In retrospect, however, it's clearly one of Lloyd Cole's finest works.