Bbc Timewatch: The Making of Adolf Hitler (2002)

Ein Rückblick auf zehn Jahre Cecilia Bartoli: Die Arie "Non piú mesto" aus der 1992 entstandenen Gesamtaufnahme von Rossinis La Cenerentola ist das älteste Tondokument dieser Anthologie, und mancher, der wie der Rezensent diese Cenerentola damals erworben hat, wird sich gut erinnern an die unbeschreiblich elektrisierende Wirkung, die die junge Italienerin mit ihrem vollblütigen Stimmmaterial, ihrem Temperament und ihrer faszinierenden Virtuosität auf ihn ausübte. Das Besondere: Die Geschwindigkeit der rasend schnellen Koloraturen geht niemals zu Lasten des Ausdrucks oder der Intensität.

Folk-pop singer/songwriter Stephen Bishop has bounced around from one record label to another, but he had his greatest success on the ABC label in the mid-'70s when he scored the Top 40 pop hits "Save It for a Rainy Day" and "On and On." In fact, his two ABC LPs, Careless (1977) and the gold-certified Bish (1978), are his only ones to sell well enough to make the charts. ABC was absorbed into MCA, which is now part of Universal, the major label responsible for the 20th Century Masters/The Millennium Collection series of discount-priced best-of compilations, and the Bishop number draws heavily from those two albums, which provide nine of the 12 tracks. Unusually for the series, however, the compilers have licensed a track from outside Universal, Bishop's chart-topping adult contemporary hit "It Might Be You," the theme from the 1983 movie Tootsie, which is controlled by Warner Brothers Records.

12 straight-shootin' classics from the most adventuresome man in country music. This compilation picks up the songs after he left Columbia in 1986 and signed with Mercury.

The Wizard And The Forest Of All Dreams is a beautiful set of modern classical pieces for piano & choir (with a little keyboard added here and there). The lengthy tracks are prime examples of Rick's unique compositorial and arranging gift & ability - still you can hear influences from Bach or Haydn to Gershwin and Philip Glass, if you like. In times of "Crossover", Bocellis, Brightmans, ERA and Bonds or even Kennedys, this album could easily reach (want it or not) a large audience - then again it's of course by no means "pop". So if you like modern classical music or you're simply looking for a new way to relax (it works!) you should definitely give this album a try.

This is a generous selection of music from the chambers of the French mid Baroque‚ with pieces by two of its greatest masters – Marais and Sainte Colombe – alongside others by the lesser but still worthy Hotteterre and Montéclair‚ plus practically the only piece by Jacques Morel that ever gets played. The starting¬point seems to be the particular line up of Tientos‚ a Vienna based group distinguished by the fact that one of its number can double on recorder and viola da gamba.

The Look of Love is the sixth studio album by Canadian singer Diana Krall, released on September 18, 2001 by Verve Records. It became Krall's first album to top the Canadian Albums Chart. In 2002, the album earned Al Schmitt the Grammy Award for Best Engineered Album, Non-Classical. Jim Santella of All About Jazz commented "Lush strings and gliding flutes surround Diana Krall's tender vocals. Even her substantial piano interludes take on the appearance of drifting mists, through the mix of orchestral timbres. With an emphasis on her sultry vocal interpretations, the latest album reaches out to a broad, popular music audience. Nothing wrong with that. It's just that jazz fans usually want the improvised licks along with their melodies…