Bob Marley

The Olivier award-winning Get Up Stand Up!

Album Details "feel Alright" features 19 Tracks which Cover the Period from 1967 to 1972 When Bob Marley and the Wailers were One of the Most Revered Grouns in Jamaica. By this Time, Marley, Neville O'riley Livingstone (Bunny Wailer) and Peter Hubert Mcintosh (Peter Tosh) Had Been the Nucleus of the Group for Some Four Or Five Years and During this Time They Had Become One of the Hottest Acts in Kingston. Stand Out Tracks Include the Anthemic "Small Axe", "Sun is Shining" plus Favorites "African Herbsman", "Brand New Second Hand" and the Legendary "Stir it Up".

FY-AH FY-AH (The JAD Masters 1967-1970) is the second of three box sets that will feature the recordings made by Bob Marley & The Wailers for the JAD organization. The box set chronicles the two years of musical output of Bob Marley & The Wailers from 1967 to 1970 when the band produced recordings for their own label Wail'n'Soul'm, as well as for JAD and Leslie Kong's Beverley's Records.

Bob Marley & The Wailers’ ‘Exodus’ Turns 45 With Series Of Exclusive Digital Releases
The new digital edition includes numerous tracks recorded live during the Wailers’ historic run of shows at London’s Rainbow Theatre in 1977.

Catch a Fire is a 1973 album by Bob Marley and the Wailers. It was their first album released by Island Records. The album's supporting concert tour throughout England and the United States helped establish the band as international stars. Catch a Fire peaked at number 171 on the Billboard 200 and number 51 on the Billboard Black Albums charts. Critical acclaim has included the album being listed at number 126 on Rolling Stone's 500 greatest albums of all time, second only to Legend among five Bob Marley albums on the list. It is regarded as one of the top reggae albums of all time.

Marley left Jamaica at the end of 1976, and after a month-long "recovery and writing" sojourn at the site of Chris Blackwell's Compass Point Studios in Nassau, Bahamas, arrived in England, where he spent two years in self-imposed exile.
Whilst in England, he recorded the albums Exodus and Kaya. Exodus stayed on the British album charts for 56 consecutive weeks. It included four UK hit singles: "Exodus", "Waiting in Vain", "Jamming", and "One Love" (a rendition of Curtis Mayfield's hit, "People Get Ready"). During his time in London, he was arrested and received a conviction for possession of a small quantity of cannabis.

This expanded, two-CD collection features 24 tracks, all completely remastered to the highest modern standards. Included in addition to the original 10-song release is the non-LP track Smile Jamaica (the original B-side to the 'Satisfy My Soul' single written for the people of Jamaica after the assassination attempt on Marley s life at the Smile Jamaica unity concert in 1976). The second disc features the highly sought-after, unreleased live show, Live at Ahoy Hallen. This rare, unreleased audio recording of a sold out performance at Ahoy Hallen in Rotterdam, Netherlands on July 7, 1978 had originally been planned to be released with the 'Babylon By Bus' album but never came out. The Wailers were in top form that night, with stellar performances of 'Is This Love' and 'Easy Skanking' from the recently released 'Kaya,' album plus some of Marley's most beloved songs including 'Concrete Jungle,' 'No Woman No Cry,' 'War/No More Trouble,' 'Jamming,' 'I Shot The Sheriff,' 'Get Up,' 'Stand Up,' and the closing track 'Exodus,' all leaving the packed house in a frenzy. Packaged with the original artwork, Kaya: 35th Anniversary Deluxe Edition comes with a 23-page booklet that includes lyrics, rare photos, plus extensive liner notes.

The classic Marley album, the one that any fair-weather reggae fan owns, Legend contains 14 of his greatest songs, running the gamut from "I Shot the Sheriff" to the meditative "Redemption Song" and the irrepressible "Three Little Birds." Some may argue that the compilation shortchanges his groundbreaking early ska work or his status as a political commentator, but this isn't meant to be definitive, it's meant to be an introduction, sampling the very best of his work. And it does that remarkably well, offering all of his genre-defying greats and an illustration of his excellence, warmth, and humanity. In a way, it is perfect since it gives a doubter or casual fan anything they could want. Let's face it, the beauty and simplicity of Marley's music was as important as his message, and that's captured particularly well here.