Bologna

Gioachino Rossini - Armida - Daniele Gatti, Orchestra del Teatro Comunale di Bologna (2009) {3CD Set, Sony Music 88697579072}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 803 Mb | MP3 @320 -> 417 Mb
Full Artwork @ 600 dpi (png) -> 195 Mb | 5% repair rar
© 1993, 2009 Sony Classical | 88697579072
Classical / Opera / Romantic

This is a truly thrilling performance of a rare Rossini opera. I listened to it twice through upon receiving it. I can understand why it is rarely performed, although this is a live performance. One needs to marshall a tremendous cast to pull this opera off satisfactorily. Renee Fleming is the only female voice in the cast and shines in her role as the sorceress. The various tenors, and in particular Carlo Bosi, all perform with total commitment and are endowed with the skill to execute Rossini's twists and turns with apparent ease. To be quite honest, I don't even care about the story line; many of them are silly anyway. However, if you want to listen to glorious voices performing difficult music with seeming ease and agility, this recording will thrill you as it did me.

„It can be truly said of Adelaide di Borgogna that, like a rose, it bloomed but a day - l’espace d’un matin.” First performed in Rome on the 27th December 1817, it enjoyed very few revivals. In 2011 the Rossini Festival in Pesaro presented the second staged performance of Adelaide di Borgogna since 1825.

The opera that few tenors dare sing and which Flórez has made his own throughout his career. Recorded at the 2012 Pesaro Festival, Flórez reprises the role that shot him to stardom in 1996 aged twenty-three. Conducting is the up-and-coming young Italian maestro Michele Mariotti who was praised for his pacing in this long opera. The performance also features the much-admired Olga Peretyatko - a fine stage artist and a consummate performer of Rossini’s fiorature - in the title role.

The opera that few tenors dare sing and which Flórez has made his own throughout his career. Recorded at the 2012 Pesaro Festival, Flórez reprises the role that shot him to stardom in 1996 aged twenty-three. Conducting is the up-and-coming young Italian maestro Michele Mariotti who was praised for his pacing in this long opera. The performance also features the much-admired Olga Peretyatko - a fine stage artist and a consummate performer of Rossini’s fiorature - in the title role.

What was the first composition ever written for solo violoncello? What was composed before Bach created his extraordinary suites for solo cello?