Chloé Sainte-Marthe n’est pas le genre de femme à faire des folies… encore moins pour un homme ! Déjà en proie aux caprices de sa patronne, la jeune professionnelle, efficace et organisée, évite généralement d’attirer l’attention. Comment donc en arrive-t-elle, du jour au lendemain, à adopter des comportements complètement irrationnels ? …
The House That Bradley Built (DELUXE EDITION) is the full 55 song acoustic compilation celebrating Bradley James Nowell and the incredible songs he wrote and was inspired by. The DELUXE EDITION features 32 unreleased songs in addition to the 24 previously released on the first album released in September.
Testée et plébiscitée par un panel de lecteurs exigeants au cours d'une étude de marché.
Cautionnée par des personnalités et des marques de la gastronomie tendance.
Les Délices de Solar : une collection indispensable ! …
A Star Is Born Soundtrack is the soundtrack album to the 2018 musical film of the same name, performed by its stars Lady Gaga and Bradley Cooper. It is set to be released on October 5, 2018, by Interscope Records. Gaga and Cooper collaborated on the soundtrack album with an assortment of country musicians, including Lukas Nelson, who also stars in the film as a member of Cooper's band. For the more pop-oriented songs on the soundtrack, Gaga teamed up with recurring collaborator DJ White Shadow. The soundtrack also includes contributions from Jason Isbell, Mark Ronson, Diane Warren, and Andrew Wyatt of Miike Snow.
If Wilson Pickett could cover the Archies and Al Green could interpret the Bee Gees, why shouldn't Charles Bradley put his spin on Black Sabbath? Bradley's deep, soulful reading of Black Sabbath's "Changes" (from 1972's Vol. 4) became something of a viral sensation when it first surfaced on a Record Store Day single in 2013. Now it's become the title track and cornerstone of Bradley's third album, and in this context it doesn't sound like a novelty, but like the striking, deeply felt performance it truly is. As on his two previous albums, Bradley is one of the most authentic-sounding artists in the 2010s retro-soul sweepstakes on Changes. The production by Thomas Brenneck is straightforward but naturalistically effective, and puts Bradley's rough but passionate vocals in engaging relief with the accompanists. (Most of the album features the Menahan Street Band backing Bradley, though the Budos Band does the honors on two cuts.) Most of the songs on Changes are new, but they sound like they could have been prize Atlantic or Stax rarities from the mid-'60s, and the performances honor the sound and the emotional power of classic soul.