Brasileiro

What 1989's Arara hinted at, 1991's Brasileiro delivers with a vengeance, for at long last, here is a genuine, back-to-Brazil tour de force by expatriate Mendes. Taking up the long-abandoned thread of his prophetic Primal Roots album of 1972, Mendes went back to the taproots of his heritage, calling upon a plethora of explosive Brazilian rhythms and sounds recorded mostly in Brazil. Though he returned to California to pile on additional tracks from L.A. sessionmen and give the production a finished sheen, there is no sense of any watering down; the thrust of the music bears the added weight and polish easily.

One of the most difficult things to achieve in the art of musical performance is simplicity. The balance between technical skills and the spirit of the music is an elusive goal. I am very pleased to hear that Anat Cohen, Dudu Maia, Douglas Lora and Alexandre Lora have brilliantly achieved that goal in Alegria da Casa, the recording that I am listening to right now.

Brass Groove Brasil came up with the ideal of highlighting the wind instruments as main soloists in a differentiated proposal in the state of Santa Catarina. The album "Sopro brasileiro" has the participation of the legendary trombonist Raul de Souza. His compositions and re-readings present a peculiar dialogue between the melody and the counterpoint, which serves as a basis for the construction of the arrangements, creating a polyphonic texture with differentiated sonority in the current scene of Brazilian music.

Este CD é o produto de minha história musical, como não poderia deixar de ser. Da minha e da história de todos os músicos com quem toquei até agora. Como eu vim da música erudita, passei pelo forró, MPB e jazz, esse trabalho mistura tudo, mesmo sem querer.

Jobim is recognised the world over as one of the most influential composers of the 20th century. He has been musically productive right up to his death in December 8th 1994.His last album, "Antonio Brasileiro", was released posthumously soon after.

Essa é uma lista da discografia das escolas de samba do Grupo especial do Carnaval do Rio de Janeiro por ano de lançamento. A lista traz as faixas contidas em cada álbum e seus respectivos intérpretes e compositores. O primeiro álbum foi lançado em 1968 e desde então é produzido anualmente.

Brazilian-American composer, Miguel Kertsman, writes in numerous genres embracing classical music, jazz, progressive rock, electronica and film, bridging these diverse elements to craft a unique sound world. Concerto Brasileiro explores lyricism and modernity through solemn chorale-like writing and seductive dances laced with Brazilian folk rhythms. Uncommon sonorities, haunting themes and ethereal landscapes mark out the Concerto for Violin, Horn, Shofar and Orchestra, while traditionalism and experimentation define the Journey for Bassoon and Orchestra. Chamber Symphony No. 2 explores and celebrates New York’s rich cultural diversity.