The preeminent Grammy-winning big band leader, Gordon Goodwin, and his Big Phat Band return with another dose of impeccable arrangements and big band fun on this new release. The album features this year s Grammy-winning On Green Dolphin Street arrangement, his own take on the Get Smart theme and more!
The music that Chicago-based producer/composer Angel Marcloid makes under the new moniker Nonlocal Forecast distills her experimentation in the prog, jazz fusion, and new age disciplines into pristine instrumental compositions teeming with intricate harmonic structures and complex webs of programmed percussion. Orbiting as another satellite around her genre-obliterating flagship projects like Fire-Toolz and MindSpring Memories, Nonlocal Forecast centers Marcloids practice on a palette of technical leads and atmospheric MIDI synth arrangements.
Despite almost universal critical hatred, Transvision Vamp briefly rose to the top of the U.K. charts in the late '80s, thanks largely to the media image of lead singer Wendy James, who fashioned herself as a sexually provocative, rebellious, fashion-conscious punk – sort of a mixture of Madonna, Blondie's Deborah Harry, T. Rex, and the Clash. This album is satisfying from start to finish, a rare thing. It's pure fun–Wendy James' outrageously over-the-top, stoned, breathy vocals are deliberately ridiculous, but they work fine with the expertly crafted, irresistible rhythms of these songs. There's a great depth and reverb space to the sound, and a carefree psychedelic attitude. Sung by a she-cat who's clearly in heat.
Since the late 90s, Amorphous Androgynmous AKA The Future Sound Of London AKA Garry Cobain and Brian Dougans have been weaving together two-hour broadcasts of their favourite records that could be loosely classed as 'Cosmic Space Music'. After ten years of messing with our heads via the wireless, they now pick their choicest mind-melting moments on what promises to be a fine series of double CDs. It's a collection that perfectly runs the gauntlet from kitsch (Lord Sitar's I Am The Walrus) to uber cool (Miles Davis or Can). Donovan, Osibisa, Can, Miles Davis, Mahavishnu Orchestra, Hawkwind and many more.
It's not unusual for a small independent record company to be defined by its first major success, and that was certainly the case for the maverick Texas label International Artists. IA began life in 1965 as a fairly ordinary regional outfit releasing pop/rock stuff, but when they scored a nationwide hit with the 13th Floor Elevators' proto-psychedelic anthem "You're Gonna Miss Me," the label's de facto A&R chief, Lelan Rogers, dove headfirst into Texas acid culture and IA became a home for consciousness-expanded acts such as the Golden Dawn, the Bubble Puppy, Endle St. Cloud, and the truly crazed Red Crayola. Never Ever Land is a three-CD set designed to give a reasonably comprehensive picture of International Artists' strange and memorable five-year lifespan.