Baby Humming Urban Stereo

The ultimate 70s-80s classic city pop compilation now available in vinyl! Includes 14 tracks from the CD version released on March, plus 6 new tracks which add up to 20 tracks in 2 vinyl. Hitoshi Kurimoto, the author of 'The Basics Of City Pop Guide Book With 100 Discs' (Seikaisha Shinsho), is the planner, selected songs, and wrote the commentary for the product.

The ultimate 70s-80s classic city pop compilation now available in vinyl! Includes 14 tracks from the CD version released on March, plus 6 new tracks which add up to 20 tracks in 2 vinyl. Hitoshi Kurimoto, the author of 'The Basics Of City Pop Guide Book With 100 Discs' (Seikaisha Shinsho), is the planner, selected songs, and wrote the commentary for the product.

Beach Boys' Christmas Album features the Beach Boys performing a variety of holiday favorites. Most of the featured songs are well-known, some of the more popular being "Frosty the Snowman," "White Christmas," "Santa Claus Is Coming to Town," and "I'll Be Home for Christmas," among others. Furthermore, there are four songs composed by the Beach Boys — "Little Saint Nick," "Man With All the Toys," "Santa's Beard," and "Merry Christmas, Baby" — which begin the album. This mix of favorites and originals makes this a balanced holiday album that should please both Beach Boys admirers and those unfamiliar with the group. ~ Jason Birchmeier

This album debuts 20 connie francis classic as well as very hard to find songs for the first Time in stereo. Originally recorded in 1 channel monaural, they have been given a fresh New sound, rich in detail, with connie’s spectacular voice brought forward so you can Hear her more clearly. This epic achievement has been made possible by the development of Some breakthrough new audio technology called “des” (digitally extracted stereo). Engineers Can now zero in on the frequencies of various instruments and vocals, isolate them, and then Extract this sound data from the original mono masters and mix them like a modern, multi-track Recording. The result is an exciting listening experience that’s offered nowhere else!

Peggy Lee Que reste t'il de Peggy Lee ? Une des plus grandes chanteuses de jazz de l'histoire est surtout connue à travers les innombrables reprises de sa version de « Fever », titre dont elle adapta seulement les paroles. Peggy Lee est bien plus que ça, chanteuse, auteur et actrice, elle connaît une carrière qui s'étale sur soixante ans, avec une activité musicale intense durant trente d'entre elles. Jazz, mais aussi pop, d'une blondeur toute glamour, Peggy Lee éblouit depuis « Somebody Else Is Taking My Place », son premier numéro un en 1942. Peggy Lee continue à se produire dans les années quatre-vingt-dix, avant de décéder le 21 janvier 2002 de complications liées au diabète.

This album debuts 20 connie francis classic as well as very hard to find songs for the first Time in stereo. Originally recorded in 1 channel monaural, they have been given a fresh New sound, rich in detail, with connie’s spectacular voice brought forward so you can Hear her more clearly. This epic achievement has been made possible by the development of Some breakthrough new audio technology called “des” (digitally extracted stereo). Engineers Can now zero in on the frequencies of various instruments and vocals, isolate them, and then Extract this sound data from the original mono masters and mix them like a modern, multi-track Recording. The result is an exciting listening experience that’s offered nowhere else!

From Real Gone Music comes a discovery that already has the collector community buzzing, and especially those collectors in search of previously unheard stereo–20 tracks discovered deep in the vaults of the Red Bird label, every one of which makes its true stereo debut right here! Founded in 1964 by Jerry Leiber and Mike Stoller, and run by George Goldner, Red Bird is considered to this day as the girl group label of the '60s, and this collection produced by long-time archivist and engineer Ron Furmanek together with Ash Wells and annotated by James Moniz features the biggest stars on the label roster, and sources its first-time stereo mixes straight from the original master tapes. Among the most notable tracks are Call Me His, a totally unknown and unreleased recording from the great Ellie Greenwich written by a neophyte songwriter named Neil Diamond; an early, unreleased version of The Boy from New York City, recorded by the Ad-Libs back when they were known as The Cheerio's; Go Now by Bessie Banks, a song that became a big hit for The Moody Blues a year later, and I Can t Let Go by Evie Sands, which, similarly, became a hit for the Hollies; I Wanna Love Him So Bad by The Jelly Beans featuring a rare lead vocal from Alma Brewer, and The Young Generation's The Hideaway featuring a very young Janis Siegel before she became a superstar with Manhattan Transfer. Meticulously documented inside a 16-page booklet boasting copious photos and interviews with Siegel, Sands and songwriter/producer Brooks Arthur among many others, The Red Bird Girls Very First Time in True Stereo sheds a new light on the genius artists, songwriters and producers that recorded for the Red Bird label, and displays their work in all its sonic stereo glory.

Peggy Lee Que reste t'il de Peggy Lee ? Une des plus grandes chanteuses de jazz de l'histoire est surtout connue à travers les innombrables reprises de sa version de « Fever », titre dont elle adapta seulement les paroles. Peggy Lee est bien plus que ça, chanteuse, auteur et actrice, elle connaît une carrière qui s'étale sur soixante ans, avec une activité musicale intense durant trente d'entre elles. Jazz, mais aussi pop, d'une blondeur toute glamour, Peggy Lee éblouit depuis « Somebody Else Is Taking My Place », son premier numéro un en 1942. Peggy Lee continue à se produire dans les années quatre-vingt-dix, avant de décéder le 21 janvier 2002 de complications liées au diabète.

From Real Gone Music comes a discovery that already has the collector community buzzing, and especially those collectors in search of previously unheard stereo–20 tracks discovered deep in the vaults of the Red Bird label, every one of which makes its true stereo debut right here! Founded in 1964 by Jerry Leiber and Mike Stoller, and run by George Goldner, Red Bird is considered to this day as the girl group label of the '60s, and this collection produced by long-time archivist and engineer Ron Furmanek together with Ash Wells and annotated by James Moniz features the biggest stars on the label roster, and sources its first-time stereo mixes straight from the original master tapes. Among the most notable tracks are Call Me His, a totally unknown and unreleased recording from the great Ellie Greenwich written by a neophyte songwriter named Neil Diamond; an early, unreleased version of The Boy from New York City, recorded by the Ad-Libs back when they were known as The Cheerio's; Go Now by Bessie Banks, a song that became a big hit for The Moody Blues a year later, and I Can t Let Go by Evie Sands, which, similarly, became a hit for the Hollies; I Wanna Love Him So Bad by The Jelly Beans featuring a rare lead vocal from Alma Brewer, and The Young Generation's The Hideaway featuring a very young Janis Siegel before she became a superstar with Manhattan Transfer. Meticulously documented inside a 16-page booklet boasting copious photos and interviews with Siegel, Sands and songwriter/producer Brooks Arthur among many others, The Red Bird Girls Very First Time in True Stereo sheds a new light on the genius artists, songwriters and producers that recorded for the Red Bird label, and displays their work in all its sonic stereo glory.

Released in November 1972, their fourth album was mainly recorded at Strawberry Studios in Stockport with the epic ‘Moonwater’ being recorded with a full orchestra at Abbey Road studios. The record was their final album for EMI’s Harvest label and featured pieces such as ‘Summer Soldier’, ‘One Hundred Thousand Smiles Out’ and ‘Delph Town Morn’. Upon its completion the album release was marked by an appearance by Barclay James Harvest with BJH Symphony Orchestra conducted by Martyn Ford on the BBC Radio One programme In Concert. This highly memorable appearance being the only professional live recording of the band with an orchestra. Aside from premiering new tracks from ‘Baby James Harvest’, the recording also featured classics such as ‘Mockingbird’, ‘Galadriel’, ‘The Poet’, ‘After the Day’ and ‘Dark Now My Sky’.