Bach Collegium Suzuki

Bach Collegium Japan & Masaaki Suzuki - J.S. Bach: St. John Passion, BWV 245 (2020)

Bach Collegium Japan & Masaaki Suzuki - J.S. Bach: St. John Passion, BWV 245 (2020)
EAC Rip | FLAC (tracks+log+.cue) - 522 Mb | MP3 CBR 320 kbps - 254 Mb | Digital booklet | 01:45:28
Classical, Sacred, Vocal | Label: BIS

Suzuki presents the 1749 version of the St. John Passion, a work that underwent many changes since its first performance in 1724. This fourth version, performed at the end of Bach's life, represents his ultimate vision of this great work. (Suzuki includes in an appendix three arias from the 1725 version that Bach removed from this later version.)
Bach Collegium Japan & Masaaki Suzuki - J.S. Bach - St. John Passion, BWV 245 (2020) [Official Digital Download 24/96]

Bach Collegium Japan & Masaaki Suzuki - J.S. Bach- St. John Passion, BWV 245 (2020) [Official Digital Download 24/96]
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 01:44:20 minutes | 1,91 GB
Classical | Studio Master, Official Digital Download

Suzuki presents the 1749 version of the St. John Passion, a work that underwent many changes since its first performance in 1724.
Bach Collegium Japan & Masaaki Suzuki - J.S. Bach - St. John Passion, BWV 245 (2020) [Official Digital Download 24/96]

Bach Collegium Japan & Masaaki Suzuki - J.S. Bach- St. John Passion, BWV 245 (2020) [Official Digital Download 24/96]
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 01:44:20 minutes | 1,91 GB
Classical | Studio Master, Official Digital Download

Suzuki presents the 1749 version of the St. John Passion, a work that underwent many changes since its first performance in 1724.
Bach Collegium Japan and Masaaki Suzuki - Beethoven: Symphony No. 9 in D Minor, Op. 125 ''Choral'' (Live) (2019)

Bach Collegium Japan and Masaaki Suzuki - Beethoven: Symphony No. 9 in D Minor, Op. 125 ''Choral'' (Live) (2019)
FLAC tracks +booklet | 01:06:27 | 297 Mb
Genre: Classical / Label: BIS

Van Gogh’s Sunflowers, da Vinci’s Mona Lisa, Tolstoy’s War and Peace – those works of art that are truly part of the canon of global culture are few and far apart. In music, one work that holds significance for people all over the world is Ludwig van Beethoven’s Ninth Symphony, and especially its choral finale. Even today, as we are getting ready to celebrate the 250th anniversary of the birth of its creator, the sheer size and complexity of the symphony is daunting.
Bach: Secular Cantatas vol II - Masaaki Suzuki, Bach Collegium Japan (2012)

Bach: Secular Cantatas vol II - Masaaki Suzuki, Bach Collegium Japan (2012)
EAC Rip | Flac (Image + cue + log) | 1 CD | Full Scans | 367 MB
Genre: Classical | Label: Bis | Catalog Number: 1971

Bach Collegium Japan and Masaaki Suzuki present their long-awaited second volume of secular cantatas by J.S. Bach. The “Hunt Cantata”, composed in 1713, is the oldest of his secular cantatas. The libretto includes a dramatic plot in which four divinities from ancient mythology appear.
Bach Collegium Japan, Masaaki Suzuki - J.S. Bach: Secular Cantatas, Vol. 2 (2012)

Bach Collegium Japan, Masaaki Suzuki - J.S. Bach: Secular Cantatas, Vol. 2 (2012)
FLAC (Tracks) 24-bit/44.1 kHz | Official Digital Download | Time: 01:14:28
Orchestral/Choral/Vocal | BIS | ~ 774 Mb

~ J.S. Bach: Secular Cantatas, Vol. 2
Sophie Junker; Damien Guillon, Bach Collegium Japan, Masaaki Suzuki ~
Masaaki Suzuki, Bach Collegium Japan - Bach & Beyond [15 CDs] (2010)

Masaaki Suzuki, Bach Collegium Japan - Bach & Beyond: Monteverdi, Schütz, Buxtehude, Ahle, Kuhnau, Zelenka, Vivaldi, Handel, CPE Bach [15 CDs] (2010)
EAC | FLAC | Image (Cue & Log) ~ 4,75 Gb | Total time: 16:29:11 | Scans included
Classical | Label: BIS | # BIS-CD-9036/39 | Recorded: 1997-2010

Widely regarded as one of the foremost interpreters of Bach's music today, Masaaki Suzuki has made his name both as the artistic director of the Bach Collegium Japan and as a performer on the harpsichord and the organ. Much interest has been focussed on the BCJ/Suzuki series of Bach Cantatas, begun in 1995 and reaching its final stretch with the recent release of Volume 46 (of a projected 55 discs). Hailed by the international music press, this monumental undertaking has acquired a world-wide following. From the very beginning of the collaboration with BIS, however, there have been numerous recording projects beyond the sacred cantatas of Johannes Sebastian, and, indeed, beyond Bach himself. Some of these acclaimed recordings can now be found in a limited edition boxed set, released in connection with the 20th anniversary of Bach Collegium Japan this year.
Masaaki Suzuki, Bach Collegium Japan - W.A. Mozart: Great Mass in C minor (2016) MCH SACD ISO + DSD64 + Hi-Res FLAC

Masaaki Suzuki, Bach Collegium Japan - Mozart: Great Mass in C minor / Exsultate, Jubilate (2016)
SACD Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 71:17 min | PDF Booklet | 3,47 GB
or DSD64 2.0 Stereo (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | PDF Booklet | 1,61 GB
or FLAC Stereo (carefully converted & encoded to tracks) 24bit/96 kHz | PDF Booklet | 1,49 GB
Features Stereo and Multichannel Surround Sound | BIS Records AB # BIS-2171 SACD

As the mysterious opening bars of the Kyrie gradually emerge into the light, we know that this recording of Mozart’s glorious Great Mass in C minor is a special one: the tempi perfect, the unfolding drama of the choral writing so carefully judged, and, above it all, the crystalline beauty of soloist Carolyn Sampson’s soprano, floating like a ministering angel. Masaaki Suzuki’s meticulous attention to detail, so rewarding in his remarkable Bach recordings, shines throughout this disc, the playing alert, the choir responsive, the soloists thrilling. And there is the bonus of an exhilarating Exsultate, Jubilate with Sampson on top form.
Masaaki Suzuki, Bach Collegium Japan - W.A. Mozart: Great Mass in C minor (2016) MCH SACD ISO + DSD64 + Hi-Res FLAC

Masaaki Suzuki, Bach Collegium Japan - Mozart: Great Mass in C minor / Exsultate, Jubilate (2016)
SACD Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 71:17 min | PDF Booklet | 3,47 GB
or DSD64 2.0 Stereo (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | PDF Booklet | 1,61 GB
or FLAC Stereo (carefully converted & encoded to tracks) 24bit/96 kHz | PDF Booklet | 1,49 GB
Features Stereo and Multichannel Surround Sound | BIS Records AB # BIS-2171 SACD

As the mysterious opening bars of the Kyrie gradually emerge into the light, we know that this recording of Mozart’s glorious Great Mass in C minor is a special one: the tempi perfect, the unfolding drama of the choral writing so carefully judged, and, above it all, the crystalline beauty of soloist Carolyn Sampson’s soprano, floating like a ministering angel. Masaaki Suzuki’s meticulous attention to detail, so rewarding in his remarkable Bach recordings, shines throughout this disc, the playing alert, the choir responsive, the soloists thrilling. And there is the bonus of an exhilarating Exsultate, Jubilate with Sampson on top form.
Bach Collegium Japan, Masaaki Suzuki - Johann Sebastian Bach: Lutheran Masses, Vol. 1 (2015)

Bach Collegium Japan, Masaaki Suzuki - Johann Sebastian Bach: Lutheran Masses, Vol. 1 (2015)
EAC | FLAC | Image (Cue&Log) ~ 319 Mb | Mp3 (CBR320) ~ 150 Mb | Scans ~ 41 Mb
Genre: Classical, Choral | Label: BIS | # BIS-2081 | Time: 01:05:30

The Reformations fundamental alterations to traditional forms of church service, had, by Bach's time, resulted in German churches Latin yielding to the country's own language. To a limited extent, however, the Latin mass text did remain in use in the Protestant church in particular the Kyrie and Gloria sections. Termed Missa to differentiate them from complete settings, these pieces are often referred to now as 'Lutheran Masses'. Bach's famous Mass in B minor began its existence as a work of this type, and four other examples from Bach's pen have survived. Newly performed and recorded by Bach Collegium Japan under the direction of Masaaki Suzuki, the Missae BWV 235 and 236 are here combined with four separate settings of the Sanctus. Two of these are original works, whereas BWV 241, and possibly also 240, is an arrangement of another composers setting. The 'KyrieChriste' BWV Anh 26 is an example of how Bach used music by other composers, in this case by his Neapolitan contemporary Francesco Durante.