Eric Clapton claimed in the press release for Back Home, his 14th album of original material, that "One of the earliest statements I made about myself was back in the late '80s, with Journeyman. This album completes that cycle in terms of talking about my whole journey as an itinerant musician and where I find myself now, starting a new family…
Eric Clapton claimed in the press release for Back Home, his 14th album of original material, that "One of the earliest statements I made about myself was back in the late '80s, with Journeyman. This album completes that cycle in terms of talking about my whole journey as an itinerant musician and where I find myself now, starting a new family…
… he settles into a tasteful adult pop sound that makes this record the ideal soundtrack to a pleasant Sunday afternoon at home with the family.
Guitar giant Robben Ford’s new album Bringing It Back Home is a stunning study in soul, style and virtuosity that cuts to the heart with its exceptional, emotion-laden musicianship. The disc also brings the five-time Grammy nominated stage and studio legend back to his earliest roots as a performer, playing blues.
Like so many Willie Nelson albums of the 2010s, Ride Me Back Home bears a title that appears to be a vague nod to Nelson's mortality. Unlike, say, God's Problem Child or Last Man Standing, the cloud doesn't appear to hang so heavy on Ride Me Back Home, but maybe that's because the album is amiably unkempt in a way its immediate predecessors were not. Some of that is due to how Nelson and his longtime producer Buddy Cannon don't rely heavily on original material this time around. The pair write four originals, while Nelson collaborates with Sonny Throckmorton on the elegiac title track.
The idea isn't bad, the result is rather convincing, and the added incentive is enough to make The Road Back Home a worthy addition to a Flower Kings fan's collection, but do read on, because you should know what you're getting. This two-CD set is a compilation album – a theme compilation album, in fact…
One of the coolest, grooviest albums ever from Vernon Burch – an overlooked 70s soul genius who worked with countless others in the decade, and cut a handful of gems on his own! The set may well be Vernon's best, as it's got this really wonderful approach that mixes funky elements, jazzy vibes, and lots of other warm touches – more than enough to put the record in the same great space as 70s classics by artists like Leon Ware or Ronnie McNeir! Vernon's vocals are wonderful – soaring, but laidback too – and the arrangements have some great jazzy touches on keyboards and guitar, almost in a way that echoes the best modes of Stevie Wonder. A definite gem from the rare groove generation.