Fifty years after the three-day concert made rock’n’roll history, a gargantuan, 38-disc set attempts to tell the full story of the event for the very first time. The mythological status of 1969’s Woodstock Music and Arts Festival can sometimes feel overpowering. The festival is the ultimate expression of the 1960s. Moments from the three-day concert have crystallized as symbols of the era, with details like Richie Havens’ acoustic prayer for freedom, Roger Daltrey’s fringed leather vest, or Jimi Hendrix’s “Star Spangled Banner” held up as sacred countercultural relics.
Brussels Affair (Live 1973) is a bootleg by The Rolling Stones. It is compiled from two shows recorded in Brussels on 17 October 1973 in the Forest National Arena, during their European Tour. The Definitive edition includes 2 CD. Disc one recorded live at the Forest National, Brussels, Belgium on October 17th 1973, 1st show. Disc two contains tracks from Rotterdam, London, Newcastle, Munich in September/October 1973. Disc two, tracks 13-16: Vienna, Austria, September 1st 1973.
Summer 1988 and as Acid House raged across the UK pockets of resistance began springing up delicated to a very different beat. Inspired by Hip-Hop, Jazz and a wealth of Soul and Funk recordings stretching back to the 60's America, young musicians breathed life into old sounds, recorded new ones and set about spreading their message worldwide. Soul Jazz Sessions celebrates those bands, producers, and DJ's who took the next step into the studio and produced some dancefloor magic in the process.
As part of The Stranglers' celebration of their Ruby Anniversary, the definitive collection of the B-side recordings they made whilst signed to Epic is released for the first time, via their own label. Appropriately, as befits a band marking forty years together, Here & There: The Epic B-sides Collection 1983-1991 gathers 40 tracks across 2 CDs and is also released as a 40 track digital package. The Stranglers released no less than 13 singles in the UK during this period, which saw them produce five albums: four studio and one live. The Stranglers signed to Epic Records in 1982 having been with United Artists / Liberty since 1977. The change of label coincided with changes in marketing policy across the UK industry - often dubbed "the Frankie Goes to Hollywood effect". Previously, The Stranglers' had released only one 12" single - an extended version of Bear Cage in 1980 - but from 2nd Epic single, Midnight Summer Dream until 1990, each release had a 12" version which required extra studio or, increasingly, live tracks to "add value" to the package.
The Church, like their namesake, are capable of both beautiful and terrifying things. Uninvited, Like the Clouds, their seemingly hundredth album since 1980, has everything an adoring fan could want, and all the ammunition a detractor could carry. Steve Kilbey, Marty Willson-Piper, Peter Koppes, and newest member Tim Powles have constructed a bloated, beautiful, unsettling storm of a record that manages to celebrate improvisation and songcraft without any favoritism, resulting in their most cohesive record since 1992's underrated Priest = Aura.