Barclay James Harvest Best Of

In 1966 two R & B bands local to Oldham (UK) merged to form a blues outfit THE BLUES KEEPERS. With sponsorship from a local businessman (also their manager) they rented an 18th century farmhouse where they practised extensively, gradually moving towards a progressive rock style then beginning to emerge…

"Turn of the Tide" is BJH's second album following the departure of founding member Woolly Wolstenholme in 1979. Woolly was one of three writers in the band, with leanings towards classical music, and had brought that influence to bear on BJH's sound, particularly on their first four albums…

BJH's early exploration of different sounds and styles was well behind them by 1983, and in its place came some pretty standard fare. The songs here are soft rock; Alan Parsons Project type compositions…

In 1966 two R & B bands local to Oldham (UK) merged to form a blues outfit The Blues Keepers. With sponsorship from a local businessman (also their manager) they rented an 18th century farmhouse where they practised extensively, gradually moving towards a progressive rock style then beginning to emerge. On turning professional the name Barclay James Harvest was adopted, and the line-up stabilised as John Lees (guitars, vocals), Les Holroyd (bass, rhythm guitar, vocals), Stuart "Wooly" Wolstenholme (keyboards, vocals) and Mel Pritchard (drums). After releasing their first single in April 1968, the band joined the legendary progressive Harvest label, quickly expanding their musical horizons, chiefly by experimenting with longer evolving song structures and orchestrations…

Live (1974). Though it seems odd that a live album could serve as a band's breakthrough release, Live shows the band clearly building upon the strengths of their previous studio albums while avoiding their excesses. Without a string section to back them up - or to smother them, depending on your thinking - the band draws more heavily on its rhythm section and on the tonal colorings of Wolstenholme's Mellotron, the latter most clearly on "The Great 1974 Mining Disaster." The rich harmonies, political content, and poignant twang of John Lees songs like "For No One" come across here with the same kind of ragged majesty as Neil Young's live work. And an epic-length "Medicine Man," unburdened of its heavy orchestral arrangement and beefed up with a newly emphasized guitar and drum parts, reveals the brawn lurking beneath the lassitude of the studio version…

This double-live CD, made on BJH's last tour with Wooly Wolstenholme, is one of the better live albums to come out of the progressive rock genre. Though not as exciting as Genesis Live or as majestic as Yessongs, it shows the group in excellent form, playing and harmonizing beautifully and doing many of their best songs, among them "Child of the Universe," "Rock and Roll Star," "Poor Man's Moody Blues," "For No One," and "Mockingbird" (the latter never sounded more beautiful)…

Barclay James Harvest had streamlined their sound considerably after leaving the Harvest label, culminating (so many felt) in the mellifluous music of Gone to Earth. Their pretensions to progressive rock all but abandoned, BJH here invites comparison to contemporaries like Supertramp, REO Speedwagon, and Fleetwood Mac (some of whom were similarly tagged with the prog rock label early on)…