Bare It All!: Revealing Pin Ups

Bare It All!: Revealing Pin-Ups by Barbara Jensen  Comics

Posted by Coda at Aug. 11, 2022
Bare It All!: Revealing Pin-Ups by Barbara Jensen

Bare It All!: Revealing Pin-Ups by Barbara Jensen
Ed. SQP, 2016 | English | CBR | 51 Pags | 51.5 MB

An all-new crop of exquisitely elegant and delightfully daring pin-up portraits by Barbara Jensen. Her approach to good girl, glamor, and creamy cheesecake illustrations follow in the grand tradition of the masters, but with a decidedly decadent 21st Century spin! Do you dare to bare it all? No need - Ms. Jensen's done all the work for you!
John Lennon - Signature Box (2010/2014) [Official Digital Download 24bit/96kHz]

John Lennon - Signature Box (2010/2014)
11 Discs | FLAC (tracks) 24 bit/96 kHz | Time - 451:10 minutes | 9,33 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet(s)

Originally released in 2010, the John Lennon "Signature Box" is an acclaimed collection that includes the eight remastered albums and an EP of Lennon’s non-album singles, all newly remastered in hi-res 96kHz/24bit digital resolution, plus several rarities available exclusively within the box set in 44.1kHz/24bit digital resolution.
Verdi - La Traviata (Lorin Maazel, Patrizia Ciofi, Roberto Sacca)

Verdi - La Traviata (Lorin Maazel, Patrizia Ciofi, Roberto Saccà) [2005]
NTSC 16:9 (720x480) VBR Auto Pan&Scan | Italiano (LinearPCM, 2 ch) Italiano (Dolby AC3, 6 ch) Italiano (DTS, 6 ch) | 7.72 Gb (DVD5)
Classical | TDK | Sub: English, Deutsch, Francais, Espanol, Italiano | 146 min | +3% Recovery

The cast in this performance, recorded live on November 18, 2004, is as excellent as the names would indicate: Patrizia Ciofi, Roberto Saccà and Dmitri Hvorostovsky.
Hvorostovsky, who has been singing Germont since 2002, continues to surpass himself in this role every time one hears him. Though difficult to imagine Hvorostovsky as an elder man, he nonetheless gives credence to the role of Germont through his straightforward, yet elegant style of singing and acting. Hvorostvsky’s subtle coloring of his voice, his innate sense of drama and musicianship give him the edge over any other baritone available–be he younger or older. In Act II, when Germont confronts Violetta, Hvorostovsky is vocally stern without being offensive to his son’s mistress, and later in the scene when Germont lets his guard down, the singer is able to project a comforting fatherly image to the woman who is “the ruin” of Alfredo and his family… Daniel Pardo