This spectacular set features a quintessential selection of western sacred music that that will please one and all, from an inquisitive novice to a discerning connoisseur.
It features a vast array of critically acclaimed recordings of more than seventy cornerstone works, ranging from the earliest Christian chants to gospel songs and Gershwin's blues.
The 50 Greatest Pieces of Classical Music consists of famous selections performed by the London Philharmonic Orchestra, under the direction of David Parry, with additional appearances by violinist Pieter Schoeman, pianist Finghin Collins, and guitarist Craig Ogden. While the term "greatest" may be debatable in the instance of some of the pieces, "popular" is a description that's easier to support, for there's no denying the staying power of these pieces. Indeed, some are so well-loved, they have become obligatory on such collections and are likely found in most listeners' collections.
One of Germany’s best-loved classical performers joins forces with a legendary close- harmony group for a winter-themed album to bring warmth to the dark months of the year: Albrecht Mayer & The King’s Singers. The pairing of probably the world’s most famous and accomplished oboist, Albrecht Mayer with the UK’s celebrated vocal ensemble is a heavenly musical partnership, and the interplay of colours, melodies and harmonies between these performers enchant and delight with Baroque, classical and seasonal favourites. The album has a Yuletide theme with tracks such as ‘Let It Snow’, ‘Jingle Bells’ and ‘Baby It’s Cold Outside’.
It's a bit depressing how many new releases from the "major" classical labels these days consist of recycled old recordings, but give Deutsche Grammophon credit for the thinking that obviously went into this four-CD box entitled The Four Seasons: A Musical Calendar of Favourite Classics. In a way, this is yet another milking of the perennially salable Vivaldi Four Seasons; each of the four discs (Spring, Summer, Fall, and Winter) opens with a complete performance of its respective concerto from that set, in the Gil Shaham recording with the Orpheus Chamber Orchestra.