Beachwood Sparks Old Manatee

Frank La Rocca extends the genre of the festal Missa solemnis in his Mass of the Americas, a sublime setting of the Traditional Latin Mass for choir and orchestra. La Rocca weaves a rich tapestry with serene Gregorian chants, folk melodies from 18th-century regions of México, and florid praises in Nahuatl, the language spoken by Our Lady of Guadalupe to St. Juan Diego in 1531. Cultures past and present are joined musically as a witness to faith, hope, and reconciliation in this masterpiece of liturgical art.

Brothers Ron and Russell Mael from Los Angeles, USA have been making diverse music since 1969 under various incarnations of Sparks. In 1979 they ditched the guitars and keyboards of glam geek rock and started working with Italian producer Giorgio Moroder, beginning a love affair with electronic music. Since then they have worked with a variety of people including Finitribe, Les Rita Mitsouko, Erasure and Faith No More.

Bookended as it is by Russell Mael's wordless chorale vocals that help kick off the opening "Intro" and which recur in the soothing but strange conclusion to the final song, "Likeable," not to mention similar moments throughout the album, it's almost too easy to summarize Exotic Creatures of the Deep as Sparks' most involved tribute to the Beach Boys, late-'60s version. But as with nearly everything the band's ever done, one can't sum up an album quite as simply as that, and Exotic Creatures, if not as completely explosive as Hello Young Lovers at its heights, finds the rude creative health of the Maels still firing on all cylinders.

"Our inconsistency is our consistency/our insincerity is our sincerity," Russel Mael sings at one point on A Steady Drip, Drip, Drip. It's a sentiment that could pass for Sparks' manifesto: Over the years, fans have come to expect dizzyingly witty lyrics and dazzling, ever-changing sonics from the Mael brothers. Their 24th album offers plenty of both, as well as a more pointed outlook and a slightly more down-to-earth sound than the duo's last outing, 2017's Hippopotamus. Ron and Russel Mael give these songs about misfits, outliers, and disasters a driving urgency, whether on "Sainthood Is Not in Your Future"'s sprightly tale of betrayal or the darkly cosmic "Nothing Travels Faster Than the Speed of Light," which provides a great showcase for Ron Mael's formidable keyboard skills.

Following their début album, Belle Époque, the Orsino Ensemble turns its attention to music from Bohemia. There is a strong tradition of Czech wind playing, and hence a wealth of great repertoire on which to draw. Antoine Reicha was a contemporary (and friend) of Beethoven. His E flat Quintet, published in 1817, demonstrates his harmonic ingenuity and talent for idiomatic instrumental writing. Mládí, described by Janácek as ‘…a sort of memoir of youth’, was composed in 1924 in celebration of the composer’s own seventieth birthday, and the mood of the piece is optimistic throughout.

Brothers Ron and Russell Mael from Los Angeles, USA have been making diverse music since 1969 under various incarnations of Sparks. In 1979 they ditched the guitars and keyboards of glam geek rock and started working with Italian producer Giorgio Moroder, beginning a love affair with electronic music. Since then they have worked with a variety of people including Finitribe, Les Rita Mitsouko, Erasure and Faith No More.

Brothers Ron and Russell Mael from Los Angeles, USA have been making diverse music since 1969 under various incarnations of Sparks. In 1979 they ditched the guitars and keyboards of glam geek rock and started working with Italian producer Giorgio Moroder, beginning a love affair with electronic music. Since then they have worked with a variety of people including Finitribe, Les Rita Mitsouko, Erasure and Faith No More.

Brothers Ron and Russell Mael from Los Angeles, USA have been making diverse music since 1969 under various incarnations of Sparks. In 1979 they ditched the guitars and keyboards of glam geek rock and started working with Italian producer Giorgio Moroder, beginning a love affair with electronic music. Since then they have worked with a variety of people including Finitribe, Les Rita Mitsouko, Erasure and Faith No More.