Beat Girl 1960

Gillian Hills – Zou Bisou Bisou (Tout En Français - The Yé Yé Years 1960 - 1965) (2017)

Gillian Hills – Zou Bisou Bisou (Tout En Français - The Yé Yé Years 1960 - 1965) (2017)
EAC Rip | FLAC (tracks, cue, log) - 215 MB | MP3 CBR 320 kbps - 119 MB
51:45 | Pop, Chanson, Cha-Cha | Label: Ace

Ultra-chic yé-yé from the cult movie star. Booklet features a new exclusive interview with the artist.
In the early 1960s Gillian Hills was at the heart of a cultural shift that saw French popular music evolve from the chanson tradition to embrace modern pop and rock influences. Indeed, she may well have acted as a catalyst for that change, incorporating both American and British influences in her recordings when she could. And yet, by the time Gillian was 21, her recording career was all but over and she would return to acting. That she was able to embrace all the emerging opportunities in the era of “the teenager” ensured she was a popular presence on television, radio and in magazines – in France at least.

Beat Girl  Movies

Posted by at March 22, 2023
Beat Girl

Beat Girl (1960)
When her architect father brings home a much younger new wife, rebellious and resentful teen Jenny goes to extreme lengths to sabotage their relationship.
Drama 
John Leyton - Lone Rider: The Holloway Road Sessions 1960-1962 (Joe Meek's Tea Chest Tapes) (2024)

John Leyton - Lone Rider: The Holloway Road Sessions 1960-1962 (Joe Meek's Tea Chest Tapes) (2024)
WEB FLAC (tracks) - 1.02 GB | MP3 CBR 320 kbps - 544 MB
3:53:24 | Pop, Rock, Rock'n'Roll, Ballad | Label: Cherry Red

Moving seamlessly between TV and film studios and the recording studio, John Leyton cut a series of masterful pop singles during the early 1960s, often tied in to his on-screen work. Embellished by Joe Meek’s inventive production and the writing talents of Geoff Goddard and others, he quickly became a firm favourite on the pop scene, complete with his “lonely” outsider image. ‘Lone Rider’ brings together the highlights of John’s recordings found among Meek’s legendary Tea Chest Tapes. From early and alternate versions of well-known hits, never-before-heard stereo masters (including the entire ‘Two Sides Of John Leyton’ album), demos, session outtakes, instrumentals, rehearsals and a number of previously unknown songs, this is another remarkable window into the world of Joe Meek’s independent home studio, situated in a first floor flat on North London’s Holloway Road.
VA - R&B In DC 1940-1960: Rhythm & Blues, Doo Wop, Rockin' Rhythm And More (2021)

VA - R&B In DC 1940-1960: Rhythm & Blues, Doo Wop, Rockin' Rhythm And More (2021)
XLD Rip | FLAC (tracks, cue, log) - 2.7 GB
20:17:52 | Soul, R&B, Doo-Wop, Rock ’n’ Roll | Label: Bear Family Records

Limited and numbered edition of 1,500 copies! R&B in DC - Bear Family Records® presents the rise of rhythm 'n' blues in Washington, D.C. - music from the swing era, classic doo-wop of the 1940s and 1950s, rocking rhythm & blues, rock & roll and soul of the early 1960s. Classics such as Love Potion No. 9 (The Clovers), Wedding Bells(The Senators) and Georgianna(Lloyd Price), supplemented by local hits, long-forgotten obscure tunes and sought-after rarities.
Various Artists - Heavy Sugar Second Spoonful: More Pure Essence Of New Orleans R&B (1954-1960) {3CD Fantastic Voyage FVTD131}

Various Artists - Heavy Sugar Second Spoonful: More Pure Essence Of New Orleans R&B (1954-1960) {3CD Fantastic Voyage FVTD131 rel 2011}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 527 Mb | MP3 @320 -> 362 Mb
Full Artwork @ 300 dpi (jpg) -> 16 Mb | 5% repair rar
© 1954-60, 2010 Fantastic Voyage | FVTD131
Rhythm & Blues / Rock ‘n’ Roll / Rockabilly

Following the critical acclaim and enthusiastic response to Heavy Sugar: The Pure Essence of New Orleans R&B, compiler Stuart Colman has dug deep into the city’s unique recording legacy to bring about a sumptuous second helping. In addition to the requisite sourcings, the net has been cast wider still in order to focus on material gleaned from such picayune outlets as Rustone, Pontchartrain, Athens, Winner and Spinett. There is a very good reason for this.
The Beatles - The Beatles Beat / The Beatles Sessions (Remastered) (1997)

The Beatles - The Beatles Beat / The Beatles Sessions (Remastered) (1997)
FLAC (tracks) - 523 MB | MP3 CBR 320 kbps - 180 MB
1:17:54 | Pop Rock | Unofficial Release | Label: Odeon

Emerging from Liverpool, England in 1960, the Beatles were a seminal British group that evolved from rock/pop origins into pioneers of musical experimentation. The band solidified its iconic lineup in 1962, featuring John Lennon (vocals, rhythm guitar, harmonica, keyboards, percussion), Paul McCartney (vocals, bass, guitar, keyboards, percussion), George Harrison (lead guitar, vocals, keyboards), and Ringo Starr (drums, vocals, percussion) after signing a recording contract with EMI. This followed a brief period with Stuart Sutcliffe (bass, 1960-61) and Pete Best (drums, 1960-62).
The Beatles - The Beatles Beat / The Beatles Sessions (Remastered) (1997)

The Beatles - The Beatles Beat / The Beatles Sessions (Remastered) (1997)
FLAC (tracks) - 523 MB | MP3 CBR 320 kbps - 180 MB
1:17:54 | Pop Rock | Unofficial Release | Label: Odeon

Emerging from Liverpool, England in 1960, the Beatles were a seminal British group that evolved from rock/pop origins into pioneers of musical experimentation. The band solidified its iconic lineup in 1962, featuring John Lennon (vocals, rhythm guitar, harmonica, keyboards, percussion), Paul McCartney (vocals, bass, guitar, keyboards, percussion), George Harrison (lead guitar, vocals, keyboards), and Ringo Starr (drums, vocals, percussion) after signing a recording contract with EMI. This followed a brief period with Stuart Sutcliffe (bass, 1960-61) and Pete Best (drums, 1960-62).
Sarah Vaughan - The Mercury Recordings 1954-1960 (2014) {3CD Set, Not Now Music NOT3CD144}

Sarah Vaughan - The Mercury Recordings 1954-1960 (2014) {3CD Set, Not Now Music NOT3CD144}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.17 Gb | MP3 @320 -> 533 Mb | Artwork | 5% repair rar
© 1954-60, 2014 Mercury / Not Now Music | NOT3CD144
Jazz / Vocal Jazz / Standards / Traditional Pop

Legend has it that, on a Wednesday night in 1942, the 18-year-old Sarah Vaughan went to the Apollo Theatre in Harlem to compete in an amateur talent contest for the chance to win $10 and a week-long engagement. Although the events leading up to this are uncertain, there is no doubt that Vaughan sang ‘Body And Soul’ and won. Vaughan was contracted by the Apollo in spring 1943 to open for Ella Fitzgerald.
The Beatles - The Beatles Beat / The Beatles Sessions (Remastered) (1997)

The Beatles - The Beatles Beat / The Beatles Sessions (Remastered) (1997)
FLAC (tracks) - 523 MB | MP3 CBR 320 kbps - 180 MB
1:17:54 | Pop Rock | Unofficial Release | Label: Odeon

Emerging from Liverpool, England in 1960, the Beatles were a seminal British group that evolved from rock/pop origins into pioneers of musical experimentation. The band solidified its iconic lineup in 1962, featuring John Lennon (vocals, rhythm guitar, harmonica, keyboards, percussion), Paul McCartney (vocals, bass, guitar, keyboards, percussion), George Harrison (lead guitar, vocals, keyboards), and Ringo Starr (drums, vocals, percussion) after signing a recording contract with EMI. This followed a brief period with Stuart Sutcliffe (bass, 1960-61) and Pete Best (drums, 1960-62).

V.A. - Die Stars, Die Hits, Die Facts: 1960-1997 (1960-1969) Part 1  Music

Posted by Discograf_man at Dec. 8, 2019
V.A. - Die Stars, Die Hits, Die Facts: 1960-1997 (1960-1969) Part 1

V.A. - Die Stars, Die Hits, Die Facts: 1960-1997 (1960-1969) Part 1
FLAC (*image+.cue+.log) | Run Time: 08:23:41 | 2.79 Gb
Genre: Pop, Rock, Rock'n'Roll, Blues, Folk, Punk, Soul/Funk, Disco
Label: Polygram

Chronological development of popular music from 1960 to 1997, the impact of social change on the text and style of music. Immerse yourself in a nostalgic trip, remember how it was different before. For the older generation it - a memory, a wonderful meeting with the youth and for the young - a unique opportunity to hear music that is virtually nowhere is not sound.