Beatles Revolver

All the rules fell by the wayside with Revolver, as the Beatles began exploring new sonic territory, lyrical subjects, and styles of composition. It wasn't just Lennon and McCartney, either – Harrison staked out his own dark territory with the tightly wound, cynical rocker "Taxman"; the jaunty yet dissonant "I Want to Tell You"; and "Love You To," George's first and best foray into Indian music…

Revolver is the seventh studio album by the English rock band the Beatles. It was released on 5 August 1966, accompanied by the double A-side single "Eleanor Rigby" / "Yellow Submarine". The album was the Beatles' final recording project before their retirement as live performers and marked the group's most overt use of studio technology to date, building on the advances of their late 1965 release Rubber Soul. It has since become regarded as one of the greatest albums in the history of popular music, with recognition centred on its range of musical styles, diverse sounds, and lyrical content.

From “Taxman” to “Tomorrow Never Knows,” The Beatles’ Revolver has been newly mixed by producer Giles Martin and Sam Okell, and sourced directly from the original four-track master tapes with audio brought forth in stunning clarity with the help of cutting-edge technology developed by the award-winning sound team at Peter Jackson’s WingNut Films Productions Ltd. Super Deluxe 5CD: This Special Edition of The Beatles’ Revolver features a new mix by Giles Martin and Sam Okell, plus the original mono mix, a 4-track EP, 31 session takes and home demos, a 100-page book with a foreword by Paul McCartney, an essay by Questlove, detailed track notes, photos and ephemera including handwritten lyrics, tape boxes and extracts from Klaus Voormann’s graphic novel on the making of the cover art. On 5 CDs in a 12.56” x 12.36” slipcase.

In September 1967, The Beatles loaded a film crew onto a bus along with friends, family and cast and headed west on the A30 out of London to make their third film, this time conceived and directed by The Beatles themselves. “Paul said ‘Look I’ve got this idea’ and we said ‘great!’ and all he had was this circle and a little dot on the top – that’s where we started,” explains Ringo. “It wasn’t the kind of thing where you could say ‘ladies and gentlemen, what you are about to see is the product of our imaginations and believe me, at this point they are quite vivid,’” says Paul. The film follows a loose narrative and showcased six new songs: “Magical Mystery Tour,” “The Fool On The Hill,” “I Am The Walrus,” “Flying,” “Blue Jay Way,” and “Your Mother Should Know.”