Beethoven Concerto Per Violino e Orchestra

Don't let the startling double-time opening of this Gloria put you off–listen with an open mind and you'll be surprised at how much sense it makes. Rinaldo Alessandrini's reading has many such surprises; some movements are taken very quickly, others surprisingly slowly, yet his choices seem fresh instead of perverse. The Magnificat is lesser known and thus less surprising, but it's every bit as lively. The soloists all sing nicely; the clear-voiced York and vigorous Mingardo provide imaginative ornaments. The excellent French chorus Akademia and Alessandrini's orchestra don't miss a single one of Alessandrini's beats.

Gianfrancesco Malipiero (1882-1973), harboured particular affection for his Concerto No. 1 for Violin, that he “finished composing” on 10th March 1932. Malipiero considered his solo concertos composed in the fertile years “prayers.” (We refer not only to the Concerto for Cello but also to the felicitous Concerto No. 1 for Violin composed in 1933, to the first two Concertos for Piano, respectively written in 1934 and 1937 and to the Concerto a tre – for violin, cello and piano – composed in 1938.)

VA - Vivarte Collection, Vol. 2 (2016) (60 CD Box Set) FLAC
EAC Rip | FLAC (Image+.cue, log) | Covers included | 17 Gb
Genre: Classical, Baroque / Label: Sony Classical

The box contains a perfect overview of VIVARTE’s legendary catalogue of ancient music ranging from Vivaldi to Brahms. Most of the recordings received critical acclaim all over the world, many of them won prestigious awards and many are reference recordings.

Gil Shaham took up the violin aged seven and a mere three years later debuted as soloist with the Jerusalem Symphony Orchestra. Less than a year later, Shaham performed with Israel's foremost orchestra, the Israel Philharmonic, conducted by Zubin Mehta. Shaham has since performed with many of the world's leading orchestras. His recordings for Deutsche Grammaphon reveal a broad repertoire and not least an affinity to the music of the twentieth century.

Argerich, Kremer, Maisky - The Complete Duo Recordings (2012) {13CD BoxSet Deutsche Grammophon 477 9524}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 3.25 Gb | MP3 @320 -> 1.97 Gb
Full Artwork @ 300 dpi (png) -> 153 Mb | 5% repair rar
© 2012 Deutsche Grammophon / Universal | 477 9524
Classical / Chamber Music / Piano / Violin / Cello

Martha Argerich's associations with violinist Gidon Kremer and cellist Mischa Maisky are surely among the pianist’s most substantial and musically rewarding collaborations. The present collection includes all of the Argerich/Kremer and Argerich/Maisky duo recordings for Deutsche Grammophon as originally released and in chronological order. Although Argerich has participated in numerous musical partnerships, not to mention her longtime mentoring of young artists, her associations with violinist Gidon Kremer and cellist Mischa Maisky are surely among the pianist's most substantial and musically rewarding collaborations. The present collection includes all of the Argerich/Kremer and Argerich/Maisky duo recordings for Deutsche Grammophon as originally released and in chronological order, allowing listeners the opportunity to trace each duo's evolution in terms of artistic rapport, sensitivity, risk-taking and the fine tuning of nuance.