This may well be the most fantastic recording I’ve ever heard of Mozart’s two piano quartets, and coming from someone who prefers his Mozart on modern instruments and has railed regularly against period instruments in music of this vintage, this is beyond high praise; it borders on glorification. Both the Quatuor Festetics, which began as a Read more Sturm und Drang of the G-Minor Quartet’s resolute and deeply tragic first movement. The instrument, of course, postdates though not by much the year in which the piece was written.
This reissue box collects the entire cycle of Mozart keyboard sonatas, plus single-movement works, recorded by Austrian pianist Paul Badura-Skoda on a 1790 Schantz fortepiano that he himself owns. The six CDs included were originally recorded between 1978 and 1990 for a group of related French labels; the budget-price reissue on Naïve is a bit atypical for that label, which has specialized in innovative and lavishly designed full-priced releases. Online retail presentations may not make clear that they are fortepiano recordings, recordings made on a keyboard instrument probably very much like one Mozart would have played himself.
10 CD box set celebrating the work of the German Beethoven-pianist of international renown, Wilhelm Backhaus. It contains all of his concert recordings, the most popular sonatas and waltz-variations.
As well as being a virtuoso soloist and improviser on the piano, Beethoven was also a competent violinist – an experience he put to good use in his ten sonatas for violin and piano. Isabelle Faust and Alexander Melnikov have long cherished the project of recording them all. The immense care they have taken over documentation and performance has enabled them to get as close as possible to the composer’s intentions.
Een driedubbele cd met het integrale werk voor cello en pianoforte van Ludwig Van Beethoven, dat is het resultaat van de intense muzikale samenwerking van celliste France Springuel en pianist Jan Vermeulen. De twee begonnen drie jaar geleden samen te musiceren en de muzikale klik die beiden toen voelden, deed hen besluiten om het repertoire voor cello en piano aan te pakken. Eerst waren er twee Schubertcd's, dan volgde Schumann, en nu is er dus Beethoven. De sonate voor cello en piano is in feite een uitvinding van Beethoven zelf.