Tyranny of The Gene

Tyranny of the Gene: Personalized Medicine and Its Threat to Public Health [Audiobook]

Tyranny of the Gene: Personalized Medicine and Its Threat to Public Health [Audiobook]
English | ASIN: B0BPF5PF6V | 2023 | 9 hours and 4 minutes | M4B@64 kbps | 267 MB
Author: James Tabery
Narrator: George Newbern

Tyranny of the Gene: Personalized Medicine and Its Threat to Public Health  eBooks & eLearning

Posted by IrGens at Aug. 12, 2023
Tyranny of the Gene: Personalized Medicine and Its Threat to Public Health

Tyranny of the Gene: Personalized Medicine and Its Threat to Public Health by James Tabery
English | August 15, 2023 | ISBN: 0525658203 | True EPUB | 336 pages | 14 MB
"Blue" Gene Tyranny - Out of the Blue (40th Anniversary Remaster) (2019)

"Blue" Gene Tyranny - Out of the Blue (40th Anniversary Remaster) (2019)
WEB FLAC (tracks) - 266 MB | Tracks: 4 | 48:34 min
Style: Pop, Jazz | Label: Unseen Worlds

“”Blue" Gene Tyranny’s first album from 1978 (originally one of the first Lovely Music releases) is here – beautifully remastered, with new artwork. Blue is a Grammy-nominated composer and pianist who has performed on records by Robert Ashley (Perfect Lives), John Cage, and Laurie Anderson, yet this is quite different.

Biological Anthropology: An Evolutionary Perspective  eBooks & eLearning

Posted by FenixN at Dec. 19, 2014
Biological Anthropology: An Evolutionary Perspective

Biological Anthropology: An Evolutionary Perspective
24xDVDRip | AVI/XviD, ~549 kb/s | 640x432 | Duration: 12:08:59 | English: MP3, 128 kb/s (2 ch) | +2 PDF Guides | 3.56 GB
Genre: Anthropology

When we consider ourselves, not as static beings fixed in time but as dynamic, ever-changing creatures, our viewpoint of human history becomes different and captivating. The crucial element of "time depth" has revolutionized the very questions we ask about ourselves. "Who are we?" has turned into What have we become? What are we becoming?" What makes this viewpoint possible is the evolutionary perspective offered by biological anthropology through the study of the evolution, genetics, anatomy, and modern variation within the human species.

''Blue'' Gene Tyranny: Country Boy, Country Dog (1994)  Music

Posted by peachfuzz at Nov. 21, 2010
''Blue'' Gene Tyranny: Country Boy, Country Dog (1994)

''Blue'' Gene Tyranny - Country Boy, Country Dog
(How to Discover Music in the Sounds of Your Daily Life)

Classical | EAC (APE - CUE - LOG) | Covers | 195 MB

The pieces in this album were realized from “How To Discover Music In The Sounds Of Your Daily Life”, a procedural score for research and composition with environmental sounds. The environmental sounds heard in “Country Boy Country Dog” generated all the melodies, harmonies and rhythms through electronic “transforms”. These intermediate transforms were then used to create orchestra pieces played back in the environment, completing a circle. (From the Liner Notes.)
"Blue" Gene Tyranny and Peter Gordon - Trust in Rock (2019) [Official Digital Download]

"Blue" Gene Tyranny and Peter Gordon - Trust in Rock (2019)
FLAC (tracks) 24-bit/44.1 kHz | Time - 118:19 minutes | 1.26 GB
Studio Master, Official Digital Download | Artwork: Front Cover

Trust in Rock documents the last evening of an epic concert series held at Berkeley’s University Art Museum in November 1976, featuring an all-star ensemble of the Bay Area’s most unclassifiable musicians performing works by “Blue” Gene Tyranny and Peter Gordon. Tyranny’s cycle “No Job, No Warm, No Nothing” contains songs “concerned with influence, trust, self-reliance, and having to re-do what is true for you;” three songs by Gordon, with lyrics by Kathy Acker, are complimented by two earlier instrumental works. Their combined band crossed styles and institutions and time, and was assembled from the effervescence of the Bay Area scene in the 1970s.

“Blue” Gene Tyranny - Degrees of Freedom Found (2021)  Music

Posted by delpotro at July 30, 2024
“Blue” Gene Tyranny - Degrees of Freedom Found (2021)

“Blue” Gene Tyranny - Degrees of Freedom Found (2021)
XLD Rip | FLAC (tracks+log+.cue) - 1,89 Gb | MP3 CBR 320 kbps - 869 Mb | 06:19:31
Electronic, Modern Classical, New Age, Post-Minimalism | Label: Unseen Worlds

Recorded between 1963-2019, Degrees Of Freedom Found is a six CD set “Blue” Gene Tyranny hand selected from archival, live recordings, and brand new first recordings before his passing in 2020. Part new album, part retrospective, this box offers a fresh perspective on “Blue” Gene Tyranny’s musical legacy. Blue’s career defining moment, composing the music for Robert Ashley’s magnum opus, Perfect Lives, typifies the Buddha-like self-effacement of his musical life. Often lending a substantial supporting role to his friends’ more visible projects, Blue’s music under his own name blossomed in a more esoteric and highly personal manner outside of the spotlight. Across its many previously unreleased recordings, Degrees Of Freedom Found showcases a surprising, extroverted side of Blue’s music, alongside the virtuoso works of sensitive spirit for which New Music devotees have long revered him.

Robert Ashley - Private Parts (The Record) (1997)  Music

Posted by basa005 at Nov. 16, 2009
Robert Ashley - Private Parts (The Record) (1997)

Robert Ashley - Private Parts (The Record) (1997)
EAC RIP | APE + CUE + LOG | NO COVER | 236 Mb
Classical | Lovely Music LCD1001

The Oxford Handbook of Gabriel García Márquez  eBooks & eLearning

Posted by arundhati at Feb. 8, 2024
The Oxford Handbook of Gabriel García Márquez

Gene H. Bell-Villada, "The Oxford Handbook of Gabriel García Márquez "
English | ISBN: 0190067160 | 2021 | 658 pages | EPUB, PDF | 1447 KB + 72 MB

Music From The ONCE Festival (1961-1966)  Music

Posted by peachfuzz at Dec. 7, 2008
Music From The ONCE Festival (1961-1966)

Music From The ONCE Festival (1961-1966)
Classical | EAC (APE & CUE) | 1.77 GB

The primary aim of ONCE’s founders—Robert Ashley, Gordon Mumma, George Cacioppo, Roger Reynolds, and Donald Scavarda—was to create a forum for the presentation of cutting-edge music. To this end they were phenomenally successful. Performers and composers—whether little-known or renowned—embraced the endeavor, demanding almost nothing in return. Perhaps most important, however, ONCE acted as a creative stimulus for its organizers. Scavarda describes the adventure as an explosion of pent-up energy: “Suddenly we could write anything we wanted and have it heard.” And they did. The ONCE composers—and many guest artists—wrote a host of new works, some experimental, others more traditional.