Beethoven Baruda Skoda

With the vast majority of Beethoven's works being frequently performed as part of the modern canon, we can sometimes forget those few pieces that often lie dormant. This Hyperion album, featuring the Nash Ensemble, celebrates three such works. The program opens with the Op. 104 C minor String Quintet, which keen listeners will instantly recognize as a transcription of the Op. 1/3 Piano Trio. The quintet version came into being as a sort of "oneupsmanship" after an amateur composer submitted his own transcription. Beethoven, who accurately assessed that he could do better, rewrote it and published it as Op. 104. If you're not already familiar with the piano trio, you may never know that the string quintet began its life in a different genre. Beethoven's writing is highly idiomatic while preserving almost the entire original score of the trio. The Nash Ensemble's performance is equally refined and stunning, making it all the more curious why this piece is not performed more frequently.

The Quatuor Ébène timed this round-the-world Beethoven cycle to coincide with Beethoven's 250th birthday in 2020, beginning a worldwide tour and fortunately completing it before the outbreak of the pandemic in that year. The cycle was recorded in Philadelphia, Vienna, Tokyo, São Paolo, Melbourne, Nairobi, and finally Paris. CD buyers get a combination of travelogue and set of work descriptions, but it's not clear that the performances were influenced in any way by the globetrotting. This is, however, a very strong Beethoven set, with full-blooded performances perhaps unexpected from a group that made its name with French quartet music.

The Wiener Philharmoniker, or Vienna Philharmonic Orchestra, has attained a kind of exalted status among symphonic ensembles of the German-speaking world. In fact, it may be so exalted that it only occasionally, when properly motivated, bestirs itself to creativity. From this perspective, this cycle of Beethoven symphonies, with Andris Nelsons conducting the venerable Viennese, is a success worthy of the shelf and hard drive space among all the other hundreds of Beethoven symphony cycles. Nelsons generally makes his Beethoven brisk enough to put the players into a bit of a state of tension, and when they execute, the results are thrilling indeed, in a way that brings the entire weight of the Vienna tradition alive.

Beethoven wrote ten sonatas for piano and violin, the best known of which are the "Spring" and the "Kreutzer" sonatas. The fame of these two works has tended to result in neglect of the remaining sonatas. This is unfortunate because Beethoven's remaining eight sonatas for piano and violin include much great music. The set of 10 works is of an appropriate size to warrant exploration of the entire group for those with a passion for the violin or for Beethoven. It includes an appealing mix of familiar and unfamiliar music.

Beethoven’s three sonatas for Piano and Violin Op. 30 were dedicated to Tsar Alexander 1st. He had been educated by his grandmother Catherine the Great and was considered to be a true child of the Enlightenment. The three manuscripts of the Op. 30 sonatas are among the most expressive of the surviving original material of Beethoven’s chamber music. These works were a direct result of the collaboration with Beethoven’s violin teacher, Ignaz Schuppanzigh – who was in fact the dedicatee of the Op. 12 sonatas. The final piece on the CD was written by another significant influence on Beethoven’s work – Franz Clement. This is the third disc in a series that sets Beethoven’s sonatas in their social and musical context – in this case the context being Schuppanzigh.