Even before Simon Rattle gave his debut concert as head of the Berliner Philharmoniker, he made headlines with another world-class orchestra: It was the cycle of nine Beethoven symphonies that he conducted with the Vienna Philharmonic in Tokyo, Berlin and - of course - Vienna. Back in May 2002, Rattle set standards with the most traditional orchestral repertoire of all. The live recording was released in March 2003. This cycle, which is now being re-released in the budget segment, is still regarded as the reference recording of the new millennium.
An indispensable part of concert life in East Westphalia-Lippe and an attractive cultural ambassador for the region beyond the borders of Europe - the Nordwestdeutsche Philharmonie (Northwest German Philharmonic Orchestra) lives up to these two claims in an exemplary manner. The orchestra impressively demonstrates its artistic versatility in a good 120 concerts a year, a wealth of radio productions and album recordings, and an extensive school and concert education program for the concertgoers of tomorrow. This release features Mozart’s Piano Concerto in F major No. 19 with Alessandro Deljavan playing the solo part, and Beethoven’s Symphony No. 1 in C majo, Op. 21.
For the first time it is possible to present the orchestra music os Beethoven to the listening public of today in a form which he would recognise. For the Hanover Band is an orchestra of 29 specialist performers on late 18th-century instruments, a classical orchestra modelled in size and type on the Burgtheater orchestra in theVienna of 1800 which Beethoven engaged for the premiere of these two works.
George Szell brings classical lightness and drive to Beethoven's early symphony, all the while pointing up the composer's daring formal and harmonic inventiveness…. Szell's Pastorale is one of the great recordings, full of feeling and sinuous beauty. Victor Carr Jr
With this new b*records release, Victor Julien-Laferriere and the Orchestre Consuelo lay the foundation for a titanic edifice: the complete nine symphonies of Ludwig van Beethoven. Supported by the Festival de la Chaise-Dieu, which lends the exceptional acoustics of its abbey church, this four-year project marks a decisive step for the young orchestra of variable geometry. Composed mainly of chamber musicians, the ensemble forges a meticulous and passionate collective identity in this first opus dedicated to Symphonies no. 1, no. 2 and no. 4, which already bear witness to the search for comprehensibility and universality of language characteristic of Beethoven's symphonic corpus.